There is a new American culinary landscape developing around us, and it’s one that chef Edward Lee is proud to represent. In a nation of immigrants who bring their own culinary backgrounds to this country, what happens one or even two generations later? What does their cuisine become? It turns into a cuisine uniquely its own and one that Lee argues makes America the most interesting place to eat on earth. Lee illustrates this through his own life story of being a Korean immigrant and a New Yorker and now a Southerner. In Off the Menu, he shows how we each have a unique food memoir that is worthy of exploration. To Lee, recipes are narratives and a conduit to learn about a person, a place, or a point in time. He says that the best way to get to know someone is to eat the food they eat. Each chapter shares a personal tale of growth and self-discovery through the foods Lee eats and the foods of the people he interacts with—whether it’s the Korean budae jjigae of his father or the mustard beer cheese he learns to make from his wife’s German-American family. Each chapter is written in narrative form and punctuated with two recipes to highlight the story, including Green Tea Beignets, Cornbread Pancakes with Rhubarb Jam, and Butternut Squash Schnitzel. Each recipe tells a story, but when taken together, they form the arc of the narrative and contribute to the story we call the new American food.
Edward Lee is fascinated by what happens to food when people move to a new country. For example, what happens when Korean immigrants move to an area where they can’t get the types of peppers that they are used to using and have to substitute South American varieties instead? What new types of cuisines emerge?
He traveled around America to areas where new immigrant communities have grown up to sample the food. Along the way he tries to ingratiate himself in restaurants to find the best food. It doesn’t always go well.
This book challenges a lot of deeply held beliefs in the foodie world.
What does it mean to call a food “authentic”?
If authentic means “the way it was made at a certain time in the past in a certain place”, does that imply that that culture’s food scene can’t evolve? Must it stay stagnant so rich American people feel it is worth eating?
Who gets to be the judge of authenticity anyway?
Why is he looked at strangely if he decides to open a restaurant serving anything but Korean food? Should he be limited to cooking the food of his ancestors? Isn’t he allowed to evolve too?
There are a lot of recipes in this book. I actually made a few which is really unusual for me. I know now that I don’t like anything pickled except cucumbers. I was making coleslaw at the same time I was reading this and he had a basic coleslaw recipe. It was good.
Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least make it out of her neighborhood one day. As the daughter of an underground rap legend who died before he hit big, Bri’s got big shoes to fill. But now that her mom has unexpectedly lost her job, food banks and shutoff notices are as much a part of Bri’s life as beats and rhymes. With bills piling up and homelessness staring her family down, Bri no longer just wants to make it—she has to make it.
On the Come Up is Angie Thomas’s homage to hip-hop, the art that sparked her passion for storytelling and continues to inspire her to this day. It is the story of fighting for your dreams, even as the odds are stacked against you; of the struggle to become who you are and not who everyone expects you to be; and of the desperate realities of poor and working-class black families.
I’ve been mildly worried about this book. Second books are always hard but how do you follow up a phenomenon like The Hate U Give? I didn’t want to hear a lot of snide talk about, “It’s good but it isn’t The Hate U Give.” I was lucky enough to be able to get a copy from the library on release day. I stayed up past my bedtime to read it all in one sitting. Good sign. What do I think?
It’s good but it isn’t The Hate U Give.
The good thing is that it isn’t trying to be. This is a much smaller, more personal story. It is set in Garden Heights a year after the events in THUG. It is referenced a few times as ‘when that kid got killed last year’. They are still dealing with increased police presence in the neighborhood that she says is meant to look friendly but really means that they are being watched.
Bri is the younger child of an up and coming rapper who was killed by a gang outside her house. Her mother got addicted to drugs following the murder. Bri and her older brother Trey lived with her father’s parents until her mother got clean. Their grandmother and mother still have a very contentious relationship because of this. Trey just graduated from college but can’t find a job in his field and is home working at a pizza place.
Bri’s mom loses her job as a church secretary because the church can’t afford to fix the damage from the riots a year ago and pay her too. Their financial situation was precarious before but now they need to decide which bills to pay. They even have to accept from help from Aunt Pooh, a gang member and drug dealer. Bri decides she needs to start making money from her music to help out.
She writes a song called On The Come Up. It references an incident where Bri got thrown on the ground by some security guards at school. She writes that no matter what she is actually doing she is perceived as a thug and as a gang member who is selling drugs and starting fights. The song is catchy and gets popular in the neighborhood. The problem is that the catchy parts that people sing along with are all about guns and being a gang member. People miss the “I’m not like this but people think it” beginning part. “Claiming to be into gang life” causes even more problems for Bri because that’s not her and she doesn’t know how to get out of the trouble it is causing. People are even using the song to justify what the security guards did at school. “See, she was a gang member..”
Perception vs reality is the major theme here
When Bri gets publicly angry that people are misinterpreting her song and making assumptions about her, she gets praised by her manager for perfectly “playing the role of a ghetto hood rat”.
Aunt Pooh is a major supportive part of Bri’s life but she is also a gang member who will disappear for days at a time to avenge some slight from another gang leaving people wondering if she is alive or dead.
As a female rapper, it is assumed that Bri has someone writing her words for her instead of her speaking for herself.
I love all the interactions in this book. They feel so real. You can feel the bitterness and resentment between her mother and grandmother. I love the descriptions of church services. It is like a full contact sport of what you say vs what you actually mean.
This gets deep into what it is like day to day to be very financially insecure. Which bill gets paid? How long can you go with heat or electric? What is it like to have to go to a food giveaway at Christmas? Bri’s mom was taking college classes but she can’t do that and be eligible for food stamps so she has to drop out. That puts her even farther away from getting a better job to help out their situation.
About Angie Thomas
“Angie Thomas was born, raised, and still resides in Jackson, Mississippi as indicated by her accent. She is a former teen rapper whose greatest accomplishment was an article about her in Right-On Magazine with a picture included. She holds a BFA in Creative Writing from Belhaven University and an unofficial degree in Hip Hop. She can also still rap if needed. She is an inaugural winner of the Walter Dean Meyers Grant 2015, awarded by We Need Diverse Books. Her debut novel, The Hate U Give, was acquired by Balzer + Bray/HarperCollins in a 13-house auction and will be published in spring 2017. Film rights have been optioned by Fox 2000 with George Tillman attached to direct and Hunger Games actress Amandla Stenberg set to star.” from Goodreads
One woman's journey to find herself and help secure the vote. Perfect for the fans of the TV series Mr Selfridge and The Paradise.
1911 Bath. Banished from her ancestral home, passionate suffrage campaigner, Esther Stanbury works as a window dresser in Pennington's Department Store. She has hopes and dreams for women's progression and will do anything to help secure the vote. Owner of the prestigious Phoenix Hotel, Lawrence Culford has what most would view as a successful life. But Lawrence is harbouring shame, resentment and an anger that threatens his future happiness.
When Esther and Lawrence meet their mutual understanding of life's challenges unites them and they are drawn to the possibility of a life of love that neither thought existed. With the Coronation of King-Emperor George V looming, the atmosphere in Bath is building to fever pitch, as is the suffragists' determination to secure the vote.
Will Esther's rebellious nature lead her to ruin or can they overcome their pasts and look to build a future together?
This is the second book in an historical fiction series about a department store in Bath in the early 1900s. The story from the first book continues in the background of this book so while it may not be absolutely necessary to read them in order, it will add to your understanding.
Esther is a young woman who is focusing on her career and her political activism. She feels strongly that she is going to be unable to do this and have a marriage because she can’t conceive of a marriage where her activities would be well tolerated, let alone encouraged. She meets a widower with two young children who has his own hang ups about introducing a new woman in his life. How do these two stubborn and emotionally damaged people work out their issues?
I am enjoying this series. It is interesting to see what is considered the height of modernity at this time period. This book especially deals with the fallout of the suffrage movement in England which became much more violent than it did in the United States. How did people choose how to align themselves? How did it affect businesses?
This is a great book for people who love historical fiction because it covers a lot on the suffrage movement as well as the excitement over the coronation of a new King.
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Author Bio – Rachel lives with her husband and their two daughters in a small town near Bath in the UK. Since 2007, she has had several novels published by small US presses, eight books published by Harlequin Superromance (Templeton Cove Stories) and four Victorian romances with eKensington/Lyrical. In January 2018, she signed a four-book deal with Aria Fiction for a new Edwardian series set in Bath’s finest department store. The first book, The Mistress of Pennington’s released July 2018. Rachel is a member of the Romantic Novelists Association and Romance Writers of America, and was selected to mentor the Superromance finalist of So You Think You Can Write 2014 contest. When she isn’t writing, you’ll find Rachel with her head in a book or walking the beautiful English countryside with her family. Her dream place to live is Bourton-on-the-Water in South West England. She likes nothing more than connecting and chatting with her readers and fellow romance writers. Rachel would love to hear from you!
Lord Alexander Pyne-ffoulkes is the younger son of the Duke of Ilvar, with a bitter grudge against his wealthy father. The Duke intends to give his Duchess a priceless diamond parure on their wedding anniversary—so Alec hires a pair of jewel thieves to steal it.
The Duke's remote castle is a difficult target, and Alec needs a way to get the thieves in. Soldier-turned-criminal Jerry Crozier has the answer: he'll pose as a Society gentleman and become Alec's new best friend.
But Jerry is a dangerous man: controlling, remote, and devastating. He effortlessly teases out the lonely young nobleman’s most secret desires, and soon he’s got Alec in his bed—and the palm of his hand.
Or maybe not. Because as the plot thickens, betrayals, secrets, new loves, and old evils come to light. Now the jewel thief and the aristocrat must keep up the pretence, find their way through a maze of privilege and deceit, and confront the truth of what's between them...all without getting caught.
K.J. Charles is one of the romance authors that I found out about on Twitter and now is an autobuy for me. I was thrilled when she offered ARCs of this book to readers.
A lot of her books that I’ve read previously have focused on people who aren’t part of the gentry. That has been a major part of the appeal for me. This one crosses class lines into upper crust society and I think that wasn’t as enjoyable for me as her previous books. Still, the premise is inventive.
An upper class man has abandoned his children because they vocally opposed his second marriage. The children are adults and they are living in poverty with some terrible consequences. Alec decides to get back at his father by hiring thieves to steal the showy anniversary present that his father plans to give his wife. However, to get close to his father he’ll have to pretend to abandon his principles to get back to a life of leisure. This is going to alienate him from his siblings who don’t know that he has another motive.
This conflict between what he believes and the pretense that he needs to keep up tears at him. He has no practice or talent at being underhanded at all. For help he’s reliant on the con man he hired to coach him and who he is very drawn to.
I like more slow burn and not much sex on the page in my romance books. That’s definitely not what you get in these books. This relationship has a dominance-submission aspect to it. It is handled well and respectfully to both parties. I would recommend this book if you like historical romances that aren’t just ladies looking for dukes.
Sandi Ward's shrewdly observed, funny, and wonderfully touching novel tells of a fractured family, a teenage boy, and a remarkable cat whose loyalty knows no bounds . . .
A boy and his cat. It's an unconventional friendship, perhaps, but for Charlie and Lily, it works beautifully. It was Charlie who chose Lily from among all the cats in the shelter. He didn't frown, the way other humans did, when he saw her injured back leg, the legacy of a cruel previous owner. Instead, Charlie insisted on rescuing her. Now Lily wants to do the same for Charlie.
She's the only one who's seen the bruises on Charlie's body. If she knew who was hurting him, she'd scratch their eyes out. But she can't fix this by herself. Lily needs to get the rest of the family to focus on Charlie--not easy when they're wrapped up in their own problems. Charlie's mother kicked his father out weeks ago and has a new boyfriend who seems charming, but is still a stranger. Oldest son Kevin misses his father desperately. Victoria, Charlie's sister, also has someone new in her life, and Lily is decidedly suspicious. Even Charlie's father, who Lily loves dearly, is behaving strangely.
Lily knows what it's like to feel helpless. But she also knows that you don't always have to be the biggest or the strongest to fight fiercely for the ones you love . . .
Praise for Sandi Ward's The Astonishing Thing "A beautiful and touching look into the intricacies of marriage and family life, all seen through the loving and unique perspective of the family pet." --Modern Cat "The Astonishing Thing feels like a bit of a miracle and we all could use a miracle." --Holly Chamberlin, author of The Summer Nanny
This story about a family in crisis isn’t something that I would normally be drawn to without the twist of having it narrated by the family cat.
This isn’t a cutesy cat story. Lily doesn’t have magical powers to be able to solve problems or talk to the dog or send messages to humans. She is just observant and knows what anyone who is truly watching what is going on would know. The problem is that her humans just aren’t paying attention to each other enough.
This is a simple read that compels you to keep reading to find out what is going to happen. I read it in a day because I wanted to know what was going on in this family. I can’t say that I’m thrilled with all the choices the humans make at the end of the book but that’s humans for you. Sometimes they should listen more to their pets.
Because I know this is a major concern with animal characters in books, I’ll let you know that nothing bad happens to either Lily or Gretel the dog during the book. Both of them have previously had human-inflicted injuries that they have recovered from at the start of the book.
About Sandi Ward
Sandi Ward writes books about love, family, forgiveness…and cats.
Sandi grew up in Manchester-by-the-sea, Massachusetts, and received her MA in Creative Writing at New York University. She’s the author of book club novels published by Kensington Books, stories of dysfunctional families told from the point of view of the family cat. She’s also a medical copywriter at an advertising agency. She lives on the Jersey Shore with her husband, teenagers, dog and a large black cat named Winnie.
On December 18, 2018 her latest novel, SOMETHING WORTH SAVING, will be on sale (available now for pre-order) in trade paperback, e-book and audio book.
What if Time Travel were real? What if Time Travelers from 300 years in the future told you that there was a chance that you could prevent catastrophic climate change, plagues, and wars by going back in time to key Pivot Points and ethically altering the outcome of rigged elections? What if failure would result in the destruction of the biosphere? Would you go?
In post-plague 2050 Britain, palm trees tower over the rice paddies of Stonehenge. Tara MacFarlane, a weary 96-year-old anthropologist originally from Taos, New Mexico, longs only to finish out her life in peaceful Buddhist meditation, and rejoin the great love of her later years, the humanitarian Scottish-Afghan doctor Xander, in a future incarnation. Suddenly one stifling autumn day Tara, her great-granddaughter Leona, and Leona’s boyfriend Janus are faced with a trio of Time Travelers from a future alternate Timeline where humanity and the eco-system survived and thrived.
The fate of Earth’s biosphere falls squarely on the shoulders of Tara, Leona, Janus, and Tara’s small gray cat, Georgie, who shows a surprising aptitude for telepathy. Time is short to reverse catastrophe that will bleed through into the alternate Timeline, and the Time Travelers must first determine the ideal Pivot Points by reading Time Code vibrations off the great standing stones of Avebury. Unexpectedly joined by the brave and wise cat Georgie, the six plunge into the Time Circle of Stonehenge on their mission. Where and when will they go, and will they succeed in restoring the Earth and humanity to balance?
There is a lot going on in this book. The Earth has lost most of its population due to plagues and climate change. A group of humans living in the now-tropical area of Stonehenge are suddenly visited by people claiming to be from the future.
The story is told in flashbacks and in the current timeline to show how humans managed to destroy the planet in such a short period of time. The main characters are Buddhists who have invested a lot of their lives into meditation and spiritual practice. They apply what they have learned through that to help try to heal the planet. A lot of this isn’t explained in much detail, if at all. The visitors from the future have a lot of special powers that they are unable to explain. They explain it as using readily available technology in their world but it can come across as sort of lazy story telling like, “Oh, look, she can project holograms of different timelines from her head. How, you ask? Um, technology…”
The group needs to go back to key points in history to change things. (They basically need to prevent the 1980s.)
There is a cat who plays a vital part in the story and is able to speak mind to mind with his people. He is known forever as Georgie, the first Time Traveling cat. I approve of cats with good communication skills.
This book reminds me so much of The Fifth Sacred Thing by Starhawk. Both books feature a very elderly woman as the main protagonist. She joins forces with her chosen family to prevent a disaster through spiritual/magical means.
About the Author
Debra Denker has been writing stories since she learned to read. Although novels and poetry were her first loves, she turned her talent to journalism in the ‘70s and ‘80s, writing about Afghanistan and the refugee situation in Pakistan for National Geographic and many leading newspapers. She has specialized in social documentation utilizing journalism, photography, and film to convey the experiences of people in war torn areas, with the intention of stimulating the empathy necessary for humans to stop violence against people and planet.
Denker is the author of two published books, the non-fiction literary memoir Sisters on the Bridge of Fire: One Woman’s Journeys in Afghanistan, Pakistan, and India, and the novel War in the Land of Cain—a story of love, war, and moral choices set during the Soviet-Afghan war of the 1980’s.
Denker now writes for the award-winning conservation media website, Voices for Biodiversity, raising consciousness to help ward off the Sixth Great Extinction.
She currently lives in Santa Fe with her family of cats, Dorjee Purr-ba, Yeshe Gyalpo, and Samadhi Timewalker, but travels frequently in earthly space, and hopes to travel in time and galactic space.
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The hysterical, clever, and unforgettable sequel to Jonas Jonasson’s international bestseller The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared.
What's next for Allan Karlsson? Turns out this centenarian has a few more adventures in store . . .
It all begins with a hot air balloon trip and three bottles of champagne. Allan and Julius are ready for some spectacular views, but they’re not expecting to land in the sea and be rescued by a North Korean ship, and they could never have imagined that the captain of the ship would be harboring a suitcase full of contraband uranium, on a nuclear weapons mission for Kim Jong-un. Yikes!
Soon Allan and Julius are at the center of a complex diplomatic crisis involving world figures from the Swedish foreign minister to Angela Merkel and President Trump. Needless to say, things are about to get very, very complicated.
Another hilarious, witty, and entertaining novel from bestselling author Jonas Jonasson that will have readers howling out-loud at the escapades and misfortunes of its beloved hundred-year-old hero Allan Karlsson and his irresistible sidekick Julius.
I read the previous book, The 100 Year Old Man Who Climbed Out The Window and Disappeared several years ago. I would sum it up as sort of Swedish Forrest Gump. Allan Karlsson managed to be a part of most of the major events in the 20th century. I don’t remember much more that that.
That didn’t hinder my enjoyment of this book. In fact, I think you really don’t have to have read the first book in order to pick up this one. All you need to know is that Allan escaped his nursing home in Sweden and through a series of adventures has found himself in Bali accompanied by a petty thief named Julius and a suitcase full of money that is rapidly running out due to the rate at which they are spending it.
This book focuses on Allan and Julius and their interaction with current events. My husband wandered in at one point when I was reading and asked what the book was about. That’s a hard question. Here’s what I told him.
“A hot air balloon ride goes wrong which leads to them being picked up by a North Korean ship smuggling uranium. They convince the captain they have the ability to fix the North Korean nuclear program but actually escape with the uranium and head to New York. There they meet Donald Trump but decide not to give him the uranium because he seems unhinged. So they give it to the German ambassador under false pretenses along with a note to Angela Merkel written on three napkins telling her not to be too mad that they tricked the ambassador.”
He just nodded and walked away.
That was before they started dealing in coffins caskets. If you like books full of absurdity, this is for you. If you like books that work in lots of anti-Trump rhetoric, you’ll love this one extra. There is a joke very early on about how polar bears should start walking south to stay ahead of the ice caps melting but not all the way to the U.S. because although they are white, they are still foreigners. That made me laugh hard and settle in for the ride.
About Jonas Jonasson
Jonas Jonasson is the author of the international bestseller The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared, now a major motion picture. Prior to his success as a novelist, Jonas was a journalist for the Swedish newspaper Expressen for many years, and later became a media consultant and founded a production company specializing in sporting events for Swedish television, which he sold before moving abroad to work on his first novel. He is the author of the internationally successful novels The Girl Who Saved the King of Sweden and Hitman Anders and the Meaning of It All. He lives on the Swedish island of Gotland in the Baltic Sea.
In these stories, Jemisin sharply examines modern society, infusing magic into the mundane, and drawing deft parallels in the fantasy realms of her imagination. Dragons and hateful spirits haunt the flooded city of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow south must figure out how to save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul.
I loved this collection of short stories but it took me forever to read. I felt like after each one I had to put the book down and let it sink in. I couldn’t just go onto the next. I absolutely love this cover. I remember when this photo series came out. This one makes a perfect book cover.
There are children who get chosen to be a sacrifice based on their good grades. But what happens to them? Is this a punishment for the kids who have to excel despite the risks or a way to set them free?
Fans can freeze their favorite writers by killing them at the time of their greatest talent so they never disappoint.
Can humans who have escaped a dying Earth fix the environmental damage? Should they be allowed to try no matter what humans who have remained behind think?
Making deals (and babies) with dragons might not turn out well for anyone but the dragons. On the other hand, little dragons can help fight off even bigger evil.
There are tales of first contact with alien civilizations and visions of possibly imaginary women dancing in elevators. There are gods that survive the death of humans. How do they entertain themselves?
Wars can be fought or prevented with magic. Maybe, someday, the tenuous connections between people on the internet will be all that there is left. Then again, maybe if you look hard enough there is a train waiting that can take you anywhere you need to go.
There are stories here that I know Foodies Read participants would love.
A chef unlocks her ability to make magic with food.
A restaurant opens that can make the exact meal from any memory.
From the internationally bestselling author of Somewhere in France comes an enthralling historical novel about one of the most famous wedding dresses of the twentieth century—Queen Elizabeth’s wedding gown—and the fascinating women who made it.
“Millions will welcome this joyous event as a flash of color on the long road we have to travel.”—Sir Winston Churchill on the news of Princess Elizabeth’s forthcoming wedding
London, 1947: Besieged by the harshest winter in living memory, burdened by onerous shortages and rationing, the people of postwar Britain are enduring lives of quiet desperation despite their nation’s recent victory. Among them are Ann Hughes and Miriam Dassin, embroiderers at the famed Mayfair fashion house of Norman Hartnell. Together they forge an unlikely friendship, but their nascent hopes for a brighter future are tested when they are chosen for a once-in-a-lifetime honor: taking part in the creation of Princess Elizabeth’s wedding gown.
Toronto, 2016: More than half a century later, Heather Mackenzie seeks to unravel the mystery of a set of embroidered flowers, a legacy from her late grandmother. How did her beloved Nan, a woman who never spoke of her old life in Britain, come to possess the priceless embroideries that so closely resemble the motifs on the stunning gown worn by Queen Elizabeth II at her wedding almost seventy years before? And what was her Nan’s connection to the celebrated textile artist and holocaust survivor Miriam Dassin?
With The Gown, Jennifer Robson takes us inside the workrooms where one of the most famous wedding gowns in history was created. Balancing behind-the-scenes details with a sweeping portrait of a society left reeling by the calamitous costs of victory, she introduces readers to three unforgettable heroines, their points of view alternating and intersecting throughout its pages, whose lives are woven together by the pain of survival, the bonds of friendship, and the redemptive power of love.
I love historical fiction that pulls you in from the beginning. This is the story of two women from very different backgrounds who meet in the embroidery workshop of a dress designer in London immediately after World War II.
Ann is English. She lost her parents before the war and her brother during the Blitz. She lives with her sister-in-law, trying to scrape by.
Miriam is a French Jew who was in a concentration camp for part of the war. No one in England knows about this part of her life. All they know is that she is a skilled embroiderer who worked in a design house in Paris.
Fast forward to 2016 and a woman in Toronto gets a box of pictures and embroidery from her recently deceased grandmother. She knew her grandmother was from England but she never talked about her life there. She also didn’t know how to sew as far as her granddaughter knew. Why does she have all this?
This is a great story of female friendship and support. It also shows you the amazing amount of handwork that goes into couture dresses. I like stories based on unknown women who have had a part, however small, in historical events.
I had never really looked at the dress before. It is so detailed with both embroidery and applique. I can’t imagine doing that day in and day out. (I hurt my hands just trying to hand sew one quilt.) They only had a few weeks to get that all finished. It is amazing.
Jennifer Robson is the USA Today and #1 Toronto Globe & Mail bestselling author of Somewhere in France, After the War is Over and Moonlight Over Paris. She holds a doctorate from Saint Antony’s College, University of Oxford. She lives in Toronto with her husband and young children.
A story of Family, Rationing and Inconvenient Corpses.
Life in 1918 has brought loss and grief and hardship to the three Fyttleton sisters.
Helped only by their grandmother (a failed society belle and expert poacher) and hindered by a difficult suffragette mother, as well as an unruly chicken-stealing dog and a house full of paying guests, they now have to deal with the worrying news that their late – and unlamented – father may not be dead after all.
And on top of that, there’s a body in the ha-ha.
I adored the characters in this story.
Granny is a titled lady who was a failed debutante. (What she did to Queen Victoria sealed her fate.) However, she is an excellent poacher and that has been most useful in keeping the family going during World War I rationing.
Mother is a reclusive author who doesn’t function well in the real world so keeping her out of it is the best course of action.
Alix is the oldest daughter. Her twin brother died in the war a few months ago. She volunteers at the neighboring hospital to get a look at any potential husbands but she hasn’t been impressed yet.
Christy is the responsible one who works out a plan to take in lodgers without her mother knowing about it. She also publishes stories that no one knows she writes.
Addy is a genius who has been kicked out of school again for talking back to the teachers.
Father was a con man who came in and out of their lives until he had the decency to sink with the Lusitania three years ago but now it seems that that might have been a con too.
Even the secondary and background characters are well developed. I especially liked the detail of the woman who named her children names that she’d seen in the newspaper but never heard pronounced so Nigel is called Niggle and Penelope is Penny-lope.
When I started reading this book, I didn’t remember what it was supposed to be about and I found that I didn’t really care. I enjoyed spending time with this family as they navigated the grief over their brother’s death that is just starting to lift a bit and as they find ways to support themselves. The book is funny and warm with a mystery or two thrown into the mix. I will definitely look into more books by this author.
Author Bio – Nicola Slade lives in Hampshire where she writes historical and contemporary mysteries and women’s fiction. While her three children were growing up she wrote stories for children and for women’s magazines before her first novel, Scuba Dancing, was published in 2005. Among other jobs, Nicola has been an antiques dealer and a Brown Owl! She loves travelling and at one time, lived in Egypt for a year. The Convalescent Corpse is Nicola’s 9th novel. Nicola is also a member of a crime writers’ panel, The Deadly Dames Social Media Links – www.nicolaslade.wordpress.com www.nicolaslade.com Twitter: @nicolasladeuk https://www.facebook.com/nicolasladeuk/ https://www.pinterest.co.uk/nicola8703 (I have a board for each book)
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Set in the lush Big Band era of the 1940s and World War II, this spellbinding saga from beloved New York Times bestselling author Adriana Trigiani tells the story of two talented working class kids who marry and become a successful singing act, until time, temptation, and the responsibilities of home and family derail their dreams
Shortly before World War II, Chi Chi Donatelli and Saverio Armandonada meet one summer on the Jersey shore and fall in love. Both are talented and ambitious, and both share the dream of becoming singers for the legendary orchestras of the time: Glenn Miller, Tommy Dorsey, Benny Goodman. They’re soon married, and it isn’t long before Chiara and Tony find that their careers are on the way up as they navigate the glamorous worlds of night clubs, radio and television. All goes well until it becomes clear that they must make a choice: Which of them will put their ambitions aside to raise a family and which will pursue a career? And how will they cope with the impact that decision has on their lives and their marriage?
From the Jersey shore to Las Vegas to Hollywood, and all the dance halls in between, this multi-layered story is vivid with historical color and steeped in the popular music that serves as its score. Tony’s Wife is a magnificent epic of life in a traditional Italian family undergoing seismic change in a fast paced, modern world. Filled with vivid, funny and unforgettable characters, this richly human story showcases Adriana Trigiani’s gifts as a storyteller and her deep understanding of family, love and the pursuit of the American dream.
You know what you are getting into if you’ve read this author previously. This is the story of an Italian family told from the time the protagonists are teenagers until their deaths. The writing is sparse. Small pieces of time will be discussed in detail and then years will pass between paragraphs.
I was intrigued by the premise, especially this line from the blurb – “Which of them will put their ambitions aside to raise a family and which will pursue a career?” I was hoping this was going to be a book that discussed the stereotypical gender roles of a post-WWII marriage and possibly subverted them. My hopes were high as the beginning of the book shows Chi Chi was infinitely more talented and more ambitious than Tony.
All this was swept aside quickly though once the marriage happened. I’m not even sure why it happened. I found their “courtship” incredibly uncomfortable as he basically badgers her into giving up her dreams because he decided that he was in love with her when in her mind they were just old friends. This is followed by affair after affair until a divorce and then she still supports him through several more marriages all the while closing herself off completely to the idea of finding love.
“Duty-bound love is the Italian girl’s area of expertise. The Italian woman is a master craftsman at the art of sacrifice.”
I don’t think that this is a good thing. This story is about a woman who sacrificed everything that she was to a man who couldn’t be bothered to care. I found it infuriating and ultimately depressing to read about. I understand that this is much more likely to be historically accurate than a book about people supporting each other in their careers. That is part of the reason why this book made me so angry. This is about a time and attitudes that we have hopefully begun to move past.
About Adriana Trigiani
Adriana Trigiani is the bestselling author of 17 books, which have been published in 36 countries around the world. She is a playwright, television writer/producer and filmmaker. She wrote and directed the film version of her novel Big Stone Gap, which was shot entirely on location in her Virginia hometown. She is co-founder of the Origin Project, an in-school writing program that serves more than a thousand students in Appalachia. She lives in Greenwich Village with her family.
Groundbreaking book exploring the counterproductive reactions white people have when discussing racism that serve to protect their positions and maintain racial inequality
Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, anti-racist educator Robin DiAngelo examines how white fragility develops, how it protects racial inequality, and what can be done to engage more constructively.
This is a very dense book written by a white person detailing why white people get so defensive when talking about race and what can be done about it. It is a book that I kept highlighting to remember her points. I actually feel like I need to read it through a second time to really internalize all the points that she was making.
Some of her important points
White people aren’t used to thinking of themselves in racial terms
“the white reference point is assumed to be universal and is imposed on everyone.”
I think this is absolutely true. We tend to think of other people as having a race and we don’t. We think of backgrounds by nationality instead of just as white yet we lump everyone with African origins as black.
A side effect of not being used to thinking of ourselves as a race is our lack of experience in racial discussions, specifically in difficult discussions. When things get tough, we tend to panic and shut down the discussion.
We don’t understand what racism is
That leads to claims reverse racism, which according to the definitions that she uses isn’t possible.
“The simplistic idea that racism is limited to individual intentional acts committed by unkind people is at the root of virtually all white defensiveness on this topic.”
Racism isn’t just a person being mean to another. It isn’t even just prejudice from one racial group to another. All groups of humans are prejudiced against others. Racism is prejudice plus power.
“When a racial group’s collective prejudice is backed by the power of legal authority and institutional control, it is transformed into racism, a far-reaching system that functions independently from the intentions or self-images of individual actors.”
In case that isn’t clear, she gives this example using sexism instead of racism.
“While women could be prejudiced and discriminate against men in individual interactions, women as a group could not deny men their civil rights. But men as a group could and did deny women their civil rights. Men could do so because they controlled all the institutions.”
White liberals are the worst to talk to about race
“In the post–civil rights era, we have been taught that racists are mean people who intentionally dislike others because of their race; racists are immoral. Therefore, if I am saying that my readers are racist or, even worse, that all white people are racist, I am saying something deeply offensive; I am questioning my readers’ very moral character.”
White people have to get over this defensive reaction if they want to be a productive part of the discussion.
“For those of us who work to raise the racial consciousness of whites, simply getting whites to acknowledge that our race gives us advantages is a major effort.”
“While making racism bad seems like a positive change, we have to look at how this functions in practice. Within this paradigm, to suggest that I am racist is to deliver a deep moral blow—a kind of character assassination. Having received this blow, I must defend my character, and that is where all my energy will go—to deflecting the charge, rather than reflecting on my behavior.”
I would recommend this to any white people, even if you think you know all about these topics.
It's 1863 and dinosaurs roam the streets of New York as the Civil War rages between raptor-mounted armies down South. Magdalys Roca and her friends from the Colored Orphan Asylum are on a field trip when the Draft Riots break out, and a number of their fellow orphans are kidnapped by an evil magistrate, Richard Riker.
Magdalys and her friends flee to Brooklyn and settle in the Dactyl Hill neighborhood, where black and brown New Yorkers have set up an independent community--a safe haven from the threats of Manhattan. Together with the Vigilance Committee, they train to fly on dactylback, discover new friends and amazing dinosaurs, and plot to take down Riker. Can Magdalys and the squad rescue the rest of their friends before it's too late?
Do I really need to tell you anything else besides THIS IS A CIVIL WAR STORY WITH DINOSAURS? Because, honestly, that’s all it took for me. I mean, ok, it is written by Daniel Jose Older whose adult and YA books I’ve loved. Why wouldn’t I love his new middle grade series?
The dinosaurs are both all important and just part of the background in this world. They are used as draft animals. The big ones function as buses and ferries. Triceratops pull carts. The bad guys ride carnivorous dinos.
This fantasy imagery is set along side a plot inspired by real events. There was a ring of white businessmen in New York who kidnapped and sold free colored people into slavery. The colored children’s home did burn in the Draft Riots. This book imagines what would have happened if the survivors of the fire found their way to a resistance cell and learned to fight back — WITH DINOSAURS!
I’d recommend this book to anyone because of the imaginative world building and a look at a part of Civil War history that isn’t often discussed, even without there being dinosaurs. The dinosaur angle would work well to pull in readers who may be reluctant to read a book about the past.
About Daniel José Older
“Daniel José Older is the author of the Bone Street Rumba urban fantasy series from Penguin’s Roc Books and the Young Adult novel Shadowshaper(Scholastic’s Arthur A. Levine Books, 2015). Publishers Weekly hailed him as a “rising star of the genre” after the publication of his debut ghost noir collection, Salsa Nocturna. He co-edited the anthology Long Hidden: Speculative Fiction from the Margins of History. His short stories and essays have appeared in the Guardian, NPR, Tor.com, Salon, BuzzFeed, Fireside Fiction, the New Haven Review, PANK, Apex and Strange Horizons and the anthologies Subversion and Mothership: Tales Of Afrofuturism And Beyond. Daniel’s band Ghost Star gigs around New York and he teaches workshops on storytelling from an anti-oppressive power analysis.” – from his website
From a Pulitzer Prize-winning reporter, the powerful story of how a prominent white supremacist changed his heart and mind
Derek Black grew up at the epicenter of white nationalism. His father founded Stormfront, the largest racist community on the Internet. His godfather, David Duke, was a KKK Grand Wizard. By the time Derek turned nineteen, he had become an elected politician with his own daily radio show – already regarded as the “the leading light” of the burgeoning white nationalist movement. “We can infiltrate,” Derek once told a crowd of white nationalists. “We can take the country back.” Then he went to college. Derek had been home-schooled by his parents, steeped in the culture of white supremacy, and he had rarely encountered diverse perspectives or direct outrage against his beliefs. At New College of Florida, he continued to broadcast his radio show in secret each morning, living a double life until a classmate uncovered his identity and sent an email to the entire school. “Derek Black…white supremacist, radio host…New College student???” The ensuing uproar overtook one of the most liberal colleges in the country. Some students protested Derek’s presence on campus, forcing him to reconcile for the first time with the ugliness his beliefs. Other students found the courage to reach out to him, including an Orthodox Jew who invited Derek to attend weekly Shabbat dinners. It was because of those dinners–and the wide-ranging relationships formed at that table–that Derek started to question the science, history and prejudices behind his worldview. As white nationalism infiltrated the political mainstream, Derek decided to confront the damage he had done. Rising Out of Hatred tells the story of how white-supremacist ideas migrated from the far-right fringe to the White House through the intensely personal saga of one man who eventually disavowed everything he was taught to believe, at tremendous personal cost. With great empathy and narrative verve, Eli Saslow asks what Derek’s story can tell us about America’s increasingly divided nature. This is a book to help us understand the American moment and to help us better understand one another.
It was interesting to listen to this book shortly after listening to Educated. Both books describe children who were indoctrinated into an extreme worldview and the way that their exposure to the larger world in college helped them break free of it. (Of course, I kept muttering “Well, that’s why you got to keep them locked up and not let them go to them heathen colleges” like a proper zealot the whole time I was listening.)
I found the responses of his classmates intriguing. There were basically two responses – shun him with the goal of making it so uncomfortable for him at school that he would leave, or befriend him in hopes of talking to him about his views. I’m not sure where I would have fallen if I was in that situation. Both approaches worked on him in different ways. He had never had a lot sustained pushback about his beliefs before. Arguments were just intellectual exercises for him. Now he was facing people he knew who were being affected by the policies that he had helped popularize. The people who befriended him took the risk of being thought guilty by association. They were able to work on him in different ways. His non-white friends could publicly be seen with him without people thinking they were white nationalists. They put faces to categories of “immigrant” and “Jew” in his rhetoric. His white friend was able to talk to him about his beliefs more openly because he didn’t automatically feel judgement from her based on her race but she was in danger of being assimilated by him or being thought to be a sympathizer.
I was uncomfortable with a lot of the decisions that his white girlfriend made. It worked out in the end but:
She was so naive and he had spent his life converting people to the white nationalist cause. She went to a nationalist conference with him. One picture of her there on the internet could have ruined her future. I wanted to slap some sense into her.
I thought the book dwelled a little too long on their developing relationship. Yeah, yeah, I get it. They are maybe-maybe not dating. I don’t need a play by play of their personal lives. I’m here for the bigger picture.
The book’s description of their reaction to the rise of Trump should put to rest any ideas that he isn’t playing directly to white nationalists. They point out all their talking points that he adopted. They discuss the proposals that they always wanted that he is trying to enact.
Jan Risher took the long way to get from Mississippi to Louisiana with stops in between in Slovakia, Mexico, China, Burkina Faso, and more than forty other countries. Since moving to Lafayette in 2001, she has been a Sunday columnist for The Daily Advertiser and has written a column every single week since March 2002.
Looking to the Stars from Old Algiers and Other Long Stories Short is the collection of these columns written over fifteen years. Arranged in chronological order, the collection creates a narrative of one woman's aim to build her family, build up her community, and weave the stories and lessons learned from the past into the present.
From her family's move to Louisiana, adoption of a daughter from China, covering Hurricane Katrina, travels near and far, author Jan Risher attempts, sometimes failing and sometimes succeeding, to do her small part to make the world a better place.
Meet the Author:
Jan Risher is an award-winning journalist and investigative reporter. She was managing editor of The Times of Acadiana. Before and after her time as a full-time journalist, she was an English teacher. She has taught English near and far, in its most basic and most lyrical forms. She continues her career as a freelance writer and now owns Shift Key, a content marketing and public relations firm. She, her husband and their two daughters have made their home on the banks of the Vermilion River.
1. What inspired you to collect these columns into a book?
Through the years, I’ve been blessed to gather a large following of readers, primarily across Louisiana and Mississippi. Readers have asked for a collection through the years, but finding the time to do so has always been an issue. When the University of Louisiana Press spoke with me about the possibility, I believed in the care they would offer the collection — and had a deadline, which is really the main thing I need to get something done!
I thought I had easy access to all my columns but was wrong. Even though this collection finds its beginning in the early years of this century, I ended up having to go to the local university library and digging through microfilm to locate some of the early ones. I had not done as good of a job as I believed in keeping up with them all!
2. When reviewing the columns did you find that your opinions had changed on any subjects?
Surprisingly, I found that my views on most issues had not changed very much, which I found to be comforting. In a couple of rare instances, I was even proud of myself for certain word choices or insights gained. Going back and reading nearly a thousand columns to select the 182 that were eventually used for the book was a head trip. I relived so many of the experiences I had as a younger mother — things I thought I had remembered, but in fact had forgotten. The experience was very powerful. I was grateful to have a team of editors working with me who were able to take a more objective approach in which columns to include or not.
3. What did you hope your newspaper readers gained from the columns? Is it different for book readers?
When my daughters were younger, we said night prayers together every night. Each evening, we would pray to do our best to make the world a better place. In writing each piece for the newspaper, I had the same hope and prayer — that each could serve to and find the right readers who needed a certain tidbit to do his or her part to make the world a better place. Though I failed on occasion, I never wanted to come off as preachy. This is not a how-to book. As a collection of columns, I do believe it connects some of the dots of my hopes. I continue to pray that it serves readers and the lives they touch in a positive way.
The memoir of a young diplomat’s wife who must reinvent her dream of living in Paris—one dish at a time
"Excellent ingredients, carefully prepared and very elegantly served. A really tasty book."—Peter Mayle, author of The Marseille Caper and A Year in Provence
When journalist Ann Mah’s diplomat husband is given a three-year assignment in Paris, Ann is overjoyed. A lifelong foodie and Francophile, she immediately begins plotting gastronomic adventures à deux. Then her husband is called away to Iraq on a year-long post—alone. Suddenly, Ann’s vision of a romantic sojourn in the City of Lights is turned upside down.
So, not unlike another diplomatic wife, Julia Child, Ann must find a life for herself in a new city. Journeying through Paris and the surrounding regions of France, Ann combats her loneliness by seeking out the perfect pain au chocolat and learning the way the andouillette sausage is really made. She explores the history and taste of everything from boeuf Bourguignon to soupe au pistou to the crispiest of buckwheat crepes. And somewhere between Paris and the south of France, she uncovers a few of life’s truths.
Like Sarah Turnbull’s Almost French and Julie Powell’s New York Times bestseller Julie and Julia, Mastering the Art of French Eating is interwoven with the lively characters Ann meets and the traditional recipes she samples. Both funny and intelligent, this is a story about love—of food, family, and France.
I had this book on my iPad for a long time. I had started reading it and then wandered off as I so often do. However, I realized I had this while on my recent riverboat cruise in France, so I decided it was the perfect time to dust it off and finish it up.
I was actually on the outskirts of Lyon when I picked the book back up just in time for the chapter on Lyon. Lyon is known as gastronomic hot spot in France. Their claim to fame are small restaurants that were started by women catering to working class people. They are called “bouchons”. They still exist and are considered some of the best places to eat. I appreciate this book for explaining that they still feature tripe heavily in their meals. Vegetarian-friendly is not a concept most of these have grasped. A few days later I was standing in old town Lyon turning in a circle looking at all the bouchons.
Whispering to the husband – “We aren’t eating anywhere that says bouchon.”
Him – “Why?”
Me, muttering like just saying the word would manifest it in front of me – “Tripe”
Him – “What?””
Me – “It is sort of like restaurants who claim they are Family Restaurants in the U.S.”
He understood my theory that any restaurant that claims that title is using recipes from some old lady who cooked meat and potatoes without any spices and believed that the way to cook vegetables is to boil them until they give up. Also, the soups are totally made with meat broth and if you order vegetable soup anyway odds are 50/50 that there will be unexpected chunks of meat in it. Yes, I am a vegetarian foodie snob.
I would recommend this book for anyone who likes reading about local food traditions in combination with a memoir. She decides to write this book to distract her from the fact that she’s been left in France alone for a year. They just moved there. She knows no one. You see her personal growth over the year as she reaches out of her comfort zone to make friends.
So what did we eat in France? Stay tuned for that post in a bit.
An unforgettable memoir in the tradition of The Glass Castle about a young girl who, kept out of school, leaves her survivalist family and goes on to earn a PhD from Cambridge University
Tara Westover was 17 the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches and sleeping with her "head-for-the-hills bag". In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged in her father's junkyard.
Her father forbade hospitals, so Tara never saw a doctor or nurse. Gashes and concussions, even burns from explosions, were all treated at home with herbalism. The family was so isolated from mainstream society that there was no one to ensure the children received an education and no one to intervene when one of Tara's older brothers became violent.
Then, lacking any formal education, Tara began to educate herself. She taught herself enough mathematics and grammar to be admitted to Brigham Young University, where she studied history, learning for the first time about important world events like the Holocaust and the civil rights movement. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge. Only then would she wonder if she'd traveled too far, if there was still a way home.
Educated is an account of the struggle for self-invention. It is a tale of fierce family loyalty and of the grief that comes with severing the closest of ties. With the acute insight that distinguishes all great writers, Westover has crafted a universal coming-of-age story that gets to the heart of what an education is and what it offers: the perspective to see one's life through new eyes and the will to change it.
Somehow I completely missed the point of this book from the previews I read. I thought this was going to be a book about a woman who received a college education after a lifetime of fake homeschool. What this book is actually about is how a lifetime of psychological and physical abuse leaves scars that no amount of education can heal.
This book is brutal. Tara is the youngest child of a Morman family whose father believes that they need to prepare constantly for the end times. The children are kept out of school to keep them out of the hands of the Illuminati. Half-hearted attempts were occasionally made to teach the children but by the time Tara came along, they weren’t even trying anymore. She was indoctrinated in her father’s way of thinking which included regressive attitudes about women.
Her relationship with an older brother, Shawn, was the worst of her problems. At times he protected her from her father’s plans for her. Other times he beat her. In between he manipulated her into believing everything was her fault because she was a weak woman who needed to be disciplined to keep from becoming a whore. The violence and psychological torture escalated as she got older. Any attempt to stand up for herself was brutally squashed.
Another brother convinced her that she could go to college and get out. She did but hid everything from the outside world. She had no idea how to function in society. Her training in conspiracy theories led her to reject help from the state or the church because she believed any assistance was the way they got you to start participating in their evil.
I was looking forward to reading about how she got out into the wider world. This is actually where the story gets worse. Her family’s attempts to reel her back in are monstrous. Her mind was so broken by their brainwashing that she couldn’t see who to trust. All she knew was that it was her duty to do what her family said.
As of the writing of the memoir, she is out and she is alive. It could have gone the other way many times.
While this book is extreme, I didn’t see it as far-fetched. I’ve read several reviews that consider the story suspect. While I don’t know anyone who has gone through this, I can see parts of people I know in many aspects of this story. I see the affects of growing up with mentally ill, abusive parents who I would have written off years ago, in loved ones who are still trying to connect with these parents. I’ve seen people struggle to rid themselves of the ideas that they were exposed to in childhood. They know they aren’t true but still there is that small voice that asks, “But what if is it is true?”
This isn’t a happy memoir of the power of education and pulling yourself up by your bootstraps. I think this is an important book but be prepared to be very disturbed by the level of abuse described and then almost immediately discounted as unimportant or worse, deserved.
“Everything I had worked for, all my years of study, had been to purchase for myself this one privilege: to see and experience more truths than those given to me by my father, and to use those truths to construct my own mind. I had come to believe that the ability to evaluate many ideas, many histories, many points of view, was at the heart of what it means to self-create. If I yielded now, I would lose more than an argument. I would lose custody of my own mind. This was the price I was being asked to pay, I understood that now. What my father wanted to cast from me wasn’t a demon: it was me.”
Fred Rogers (1928–2003) was an enormously influential figure in the history of television and in the lives of tens of millions of children. As the creator and star of Mister Rogers’ Neighborhood, he was a champion of compassion, equality, and kindness. Rogers was fiercely devoted to children and to taking their fears, concerns, and questions about the world seriously. The Good Neighbor, the first full-length biography of Fred Rogers, tells the story of this utterly unique and enduring American icon. Drawing on original interviews, oral histories, and archival documents, Maxwell King traces Rogers’s personal, professional, and artistic life through decades of work, including a surprising decision to walk away from the show to make television for adults, only to return to the neighborhood with increasingly sophisticated episodes, written in collaboration with experts on childhood development. An engaging story, rich in detail, The Good Neighbor is the definitive portrait of a beloved figure, cherished by multiple generations.
This is the most perfect combination of narrator and subject. What could possibly be more soothing than listening to LeVar Burton reading about Fred Rogers? It was so perfect that I listened to this at 1x speed and did not speed it up even at points when the story started to drag.
This is a very in depth look at the life of Fred Rogers. I was fascinated by stories from his childhood. I didn’t know that he was born into a very wealthy family. He became a very accomplished pianist and composer before finding out about this new fangled thing called television and deciding almost on a whim to try it out. (It didn’t hurt that he was the son of some of the major stockholders of RCA which owned NBC at the time.) Later he split his time between working at a TV station and going to seminary to become a minister. These are all detours he couldn’t have taken if he had to worry about how to put food on the table for his family.
His mother instilled a sense of purpose in him. She was a philanthropist but not the kind that gets their name on flashy buildings. She found people in need and did what she could to support them.
One thing that was never addressed was Why Children? Everyone agrees that he had a child-like sense of wonder and that he related to kids more than adults but no one asked why. He had a very lonely childhood. He was bullied. I would think that would make him want to leave childhood far behind. He just always seemed to know that his purpose was to work with kids. I would have liked to see that addressed more.
This book is so detailed that it gets repetitive at times. That’s my only complaint. His life was fascinating. Anyone looking for a scandal in his life isn’t going to find it. Everyone agrees that the man you saw on TV was the real person.
From the ingenious comic performer, founding member of Monty Python, and creator of Spamalot, comes an absurdly funny memoir of unparalleled wit and heartfelt candor We know him best for his unforgettable roles on Monty Python--from the Flying Circus to The Meaning of Life. Now, Eric Idle reflects on the meaning of his own life in this entertaining memoir that takes us on an unforgettable journey from his childhood in an austere boarding school through his successful career in comedy, television, theater, and film. Coming of age as a writer and comedian during the Sixties and Seventies, Eric stumbled into the crossroads of the cultural revolution and found himself rubbing shoulders with the likes of George Harrison, David Bowie, and Robin Williams, all of whom became dear lifelong friends. With anecdotes sprinkled throughout involving other close friends and luminaries such as Mike Nichols, Mick Jagger, Steve Martin, Paul Simon, Lorne Michaels, and many more, as well as the Pythons themselves, Eric captures a time of tremendous creative output with equal parts hilarity and heart. In Always Look on the Bright Side of Life, named for the song he wrote for Life of Brian (the film which he originally gave the irreverent title Jesus Christ: Lust for Glory) and that has since become the number one song played at funerals in the UK, he shares the highlights of his life and career with the kind of offbeat humor that has delighted audiences for five decades. The year 2019 marks the fiftieth anniversary of The Pythons, and Eric is marking the occasion with this hilarious memoir chock full of behind-the-scenes stories from a high-flying life featuring everyone from Princess Leia to Queen Elizabeth.
Eric Idle has always been my favorite member of Monty Python so I absolutely had to listen to this book. I can’t imagine just reading this book. Listening to him read this made the book.
This book was so much fun. He is an unapologetic famous person. He talks a lot about all of his famous friends. He points out that he has non-famous friends but that no one in interested in reading about them. He hung out with Beatles and Rolling Stones and all the other famous comedians in the 1970s so the stories are as wild as you’d expect. One of my favorite stories was when Graham Chapman had a party at his house for his parents. His parents were ready to go to bed at 10 PM but first they politely kicked the Rolling Stones out of the house. I can see how some people would think of these stories as name dropping or bragging but he is full of so much love for his friends and joy for his life that I loved hearing about it. What can you expect from a man who gave a toast at David Bowie’s wedding to Iman and once got mistaken for a Beatle while standing next to George Harrison (who was pushed aside unrecognized)?
He weaves the story of Always Look on the Bright Side of Life through the book. He wrote it to have a happy ending in his movie that actually ended with the main character being crucified. Since then it has taken on a life of its own. It started being sung during British military disasters and then at funerals. He’s sung it for the Queen and during the Olympics. He’s sung it in drag and in a tutu, as one does.
If you are a Monty Python fan who has watched the many documentaries about the history of the Pythons you’ll love this book. You’ll have already gotten a good grasp of the official history from those shows. This book will fill in what fun was happening behind the scenes and in the time since.
An elegant collection of the best artwork and photography from the National Geographic archives depicting the magnificence of birds.
Bird, nature, and art lovers alike will treasure this sumptuous visual celebration of the colors, forms, and behaviors of the winged wonders who share our world as they have been explored, displayed, and revealed throughout the years by National Geographic. The book moves chronologically so readers witness the tremendous growth in our knowledge of birds over the last 130 years, as well as the new frontiers in technology and observation--from luminous vintage paintings and classic black and white photographs to state-of-the art high-speed and telephoto camera shots that reveal moments rarely seen and sights invisible to the human eye. The wide diversity of pictures captures beloved songbirds outside the kitchen window, theatrical courtship dance of birds of paradise, tender moments inside a tern's nest, or the vivid flash of a hummingbird's flight. Readers will delight in seeing iconic species from around the world through the eyes of acclaimed National Geographic wildlife photographers such as Chris Johns, Frans Lanting, Joel Sartore, and Tim Laman and reading excerpted passages from Arthur A. Allen, Roger Tory Peterson, Douglas Chadwick, Jane Goodall, and other great explorers. Exquisitely produced and expertly curated, this visual treasury displays as never before the irresistible beauty, grace, and intelligence of our feathered friends.
The first thing I realized about this book is that it is absolutely massive. There will be no laying leisurely in bed holding this above my head while reading. I drop books and iPads on my face all the time. If I drop this book, I would do myself an injury.
The second thing I realized is that it is absolutely amazing.
This is a history of National Geographic’s coverage of birds from the 1800s until now. It is the best of their wonderful photography. There are sections about how birds have been covered in the magazine. There are articles comparing and contrasting articles on similar topics many years apart like this spread of what was known about hummingbird flight in 1957 and 2017.
This isn’t a book that you are going to sit down and read right through. It is a book to dive into a little bit at a time so you can savor the pictures and the knowledge. I’m looking forward to reading slowly through this book to properly enjoy it.
This is a high quality coffee table book that is perfect for anyone who loves birds and/or photography.