Andrew Schulman, a fifty-seven-year-old professional guitarist, had a close brush with death on the night of July 16, 2009. Against the odds—with the help of music—he survived: A medical miracle.
Once fully recovered, Andrew resolved to dedicate his life to bringing music to critically ill patients at Mount Sinai Beth Israel’s ICU. In Waking the Spirit, you’ll learn the astonishing stories of the people he’s met along the way—both patients and doctors—and see the incredible role music can play in a modern hospital setting.
In his new work as a medical musician, Andrew has met with experts in music, neuroscience, and medicine. In this book, he shares with readers an overview of the cutting-edge science and medical theories that illuminate this exciting field.
This book explores the power of music to heal the body and awaken the spirit.
Andrew Schulman was a professional classical guitarist. He went into the hospital to have a biopsy but an allergic reaction to medication while in surgery led to him spending time in a coma in the surgical ICU. He was nonresponsive to anything until his wife started playing his favorite playlist of music for him. After his recovery, he started to research the links between music and healing. He also returned to the surgical ICU three days a week to play for an hour.
I’ve been lurking on some music therapy harp groups on Facebook. I like the types of music that these musicians seem to play and I was actually looking for good sources of music for relaxing harp pieces. I know a lot of it is improv. In this book, Andrew Schulman does some improv but finds himself mostly playing three types of music – Bach, Gershwin, and The Beatles.
There are a lot of stories in the book that show how small of a world the New York music world must be. He meets family members of composers, Gershwin scholars, and people who performed on his favorite recordings. Along the way he is shocked to find that he starts to heal the brain damage that his time in a coma caused.
I liked the incorporation of the science along with the stories. He will talk about seeing music calm pain responses and then will get a scientific opinion on why that works.
You’ll finish this book believing that Bach should be playing in every recovery unit in the hospital. Even if you don’t play an instrument, this is an uplifting story about how the body can heal itself and how not every medical intervention needs to be using drugs.
Reese Eddings has enough to do just keeping her rattletrap merchant vessel, the TMS Earthrise, profitable enough to pay food for herself and her micro-crew. So when a mysterious benefactor from her past shows up demanding she rescue a man from slavers, her first reaction is to say "NO!" And then to remember that she sort of promised to repay the loan. But she doesn't remember signing up to tangle with pirates and slavers over a space elf prince...
I love the universe that M.C.A. Hogarth has created for her books. In the future, humans create human/animal hybrids called the Pelted who then leave the galaxy. They spread out onto new worlds and form an Alliance. They totally leave their human creators behind.
Human still live in this galaxy except for a few adventurous ones who venture out into Alliance space. Reese was born on Mars. Now she has fled from the life that was planned for her there and is trying to make a living as a trader. It isn’t going well. She was bailed out once. She’s almost broke again.
Now she has to go rescue an Eldritch who fell into the hands of slavers. The Eldritch are a reclusive race. They don’t leave their planets much because they are highly empathetic. Too many beings makes it hard for them. Everything Reese knows about them comes from the romance novels she gets monthly that feature Eldritch as mysterious heroes. It turns out that Eldritch are much more annoying than in the books.
Reese is prickly. She doesn’t open herself up emotionally easily. This is an area of conflict between her and the feline crew members who respond to everyone emotionally and sexually. As a Mars native who was born under a dome and who now lives on a ship, she gets agoraphobia whenever she has to be on a planet with an endless horizon.
Reese is only just getting used to running the Earthrise in the black—and with an Eldritch in her crew—when a trip to a colony world gives rise to a whole new problem: Hirianthial is showing powers that even the Eldritch rarely have, and that only in legend. He badly needs training, support and advice, and the only place he can find them is... at home.
To see the world of the Eldritch is a once in a lifetime opportunity, a thing of fantasies and rumor. And to finally meet the Eldritch Queen, the author of so many of Reese's windfalls! You'd have to twist her arm to get her to admit it, but Reese can't wait to go. But a court out of fantasy and a breathtaking land aren't enough compensation when they come packaged with a rabidly xenophobic species whose world is falling apart. The last thing they want any part of is some mortal interloper.
Is Reese ready for the Eldritch world? Better to ask: are they ready for her?
Not going to lie. I didn’t expect a space opera series to end up focusing so much on horses. I’m not complaining. I like horses.
After trying to open up a new trade route, Reese and the crew fall into the hands of slavers again. Hirianthial, the Eldritch crew member fights back. He realizes that his psychic powers are getting more powerful. In fact, the only person he’s ever heard of with these powers went insane and killed a lot of people on the Eldritch planet.
The Eldritch have kept the planet closed off forever. Bringing a crew of non-Eldritch in is going to be a problem.
The slow romance between Reese and Hirianthial continues. I enjoyed the idea of Reese trying to build a relationship based on what she read in romance books. She gets a bit annoyed when he doesn’t act like the heroes she reads about.
This is a very different book than the first one. There are a lot more politics than space travel. I love the diverse crew, especially Alacazam. He’s an alien that looks like a fuzzy basketball. He communicates through thoughts and helps cheer everyone else.
The Queen of the Eldritch has offered Reese Eddings a life out of a fairy tale, one beyond the imagination of a poor girl from Mars who’d expected to spend her life eking out a living with a rattletrap merchant vessel. Unfortunately, the day Reese reached out to accept Liolesa’s offer, Hirianthial’s enemies betrayed him--and his entire planet--to a race of sociopathic shapeshifters with dreams of conquest. Now the only thing between Reese and a castle of her very own is a maniacal alien despot, his native quisling and all the Eldritch dead-set on preventing the incursion of aliens at any cost, including the ousting of their current usurper, who happens to be an alien himself...
Reese, Hirianthial and the crew of the Earthrise have been battling these pirates since Hirianthial’s capture inspired their fateful meeting, but to beat them Reese will have to own the power she’s always denied herself, and Hirianthial must make peace with his bloody past and uncertain future.
Right as everything is coming together for Reese and her crew, a coup throws the planet into chaos. Now Reese is hiding refugees and political prisoners. Hirianthial is off planet with the deposed Queen getting medical treatment for his injuries he got during the attack. The only way back together is to get the rightful Queen back on the throne.
This book is about making a new civilization from the remains of an old one. How do they want to live? What does it take to rule? Liolesa, the deposed queen has been shoring up her people with off-World goods for years without their knowledge. What happens when the isolationists who take over have to face the truth?
There is the repeated rape of a female prisoner in this story. It happens off the page but it isn’t graphically described. However, her reactions to this repeated trauma are described.
This is a good ending to the story. There is a short story that takes place between books two and three that I haven’t read yet. This author has other series set in the same universe to that I’m looking forward to reading.
About M.C.A. Hogarth
Daughter of two Cuban political exiles, M.C.A. Hogarth was born a foreigner in the American melting pot and has had a fascination for the gaps in cultures and the bridges that span them ever since. She has been many things—-web database architect, product manager, technical writer and massage therapist—-but is currently a full-time parent, artist, writer and anthropologist to aliens, both human and otherwise.
Reading this book contributed to these challenges:
Over the course of two decades, John Hargrove worked with 20 different whales on two continents and at two of SeaWorld's U.S. facilities. For Hargrove, becoming an orca trainer fulfilled a childhood dream. However, as his experience with the whales deepened, Hargrove came to doubt that their needs could ever be met in captivity. When two fellow trainers were killed by orcas in marine parks, Hargrove decided that SeaWorld's wildly popular programs were both detrimental to the whales and ultimately unsafe for trainers.
After leaving SeaWorld, Hargrove became one of the stars of the controversial documentary Blackfish. The outcry over the treatment of SeaWorld's orca has now expanded beyond the outlines sketched by the award-winning documentary, with Hargrove contributing his expertise to an advocacy movement that is convincing both federal and state governments to act.
As I listened to this book written by a former orca trainer at Sea World, the analogy that kept coming to mind was alien abduction. Humans have taken orcas out of their natural environment by force. They are made to live in cells with others of their species with whom they do not share a language. Several died before the exact requirements for keeping them were figured out. Humans control when they eat, when they play, and when they are bred. Humans separate them from their offspring even though we know orcas have complex matriarchal families.
This is a fitting analogy because eventually the author discusses it too. Seen in this light, it is impossible to justify the practice of using whales and dolphins for entertainment.
The author started as a true believer in Sea World. From the age of 6 he dedicated his life to becoming an orca trainer. He loved the whales. He believed that some of the whales cared for him too. But he came to realize that no matter how close the relationship between whale and trainer was, at the end of the day he was still their prison guard. It is only natural that an intelligent creature kept under these conditions will try to fight back.
The book opens with the detailed account of his attack by a whale. He is clear that the whale chose to let him live. His break with Sea World came after the 2009 and 2010 deaths of trainers. In each instance Sea World’s public statements blamed the trainers for making mistakes. After studying the incidents it was clear to him that they did not and that Sea World was lying to hide the fact that this aggression was a result of psychological stress to the whales.
He discusses many types of aggression and health problems that result from captivity. One telling story concerns the baby whales. They swim nonstop for several months after birth. This is because in the wild orcas never stop moving. They have to learn to stop and float still in the tiny Sea World pools.
Since the animals are not able to released, he discusses options for how to care for the current whales in a more humane way.
Even if you’ve seen Blackfish, I’d recommend this book to get a better idea about the lives of the whales from someone who has lived on both sides of the issue.
Reading this book contributed to these challenges:
A maddened creature, frothing at the mouth, lunges at an innocent victim--and, with a bite, transforms its prey into another raving monster. It's a scenario that underlies our darkest tales of supernatural horror, but its power derives from a very real virus, a deadly scourge known to mankind from our earliest days. In this fascinating exploration, journalist Bill Wasik and veterinarian Monica Murphy chart four thousand years in the history, science, and cultural mythology of rabies.
The most fatal virus known to science, rabies kills nearly 100 percent of its victims once the infection takes root in the brain. A disease that spreads avidly from animals to humans, rabies has served throughout history as a symbol of savage madness, of inhuman possession. And today, its history can help shed light on the wave of emerging diseases, from AIDS to SARS to avian flu, that we now know to originate in animal populations.
From Greek myths to zombie flicks, from the laboratory heroics of Louis Pasteur to the contemporary search for a lifesaving treatment, Rabid is a fresh, fascinating, and often wildly entertaining look at one of mankind's oldest and most fearsome foes.
I’ve had this book forever and finally read it after a staff member starting insisting that she had rabies. A stray cat bit her and died a few days later. (In my mind there is an equal chance that the staff member was poisonous to the cat.) The cat was tested and was rabies-free so all was well for the humans involved. It didn’t change things for the cat.
The first few chapters caused mass giggling in my office.
First up this is description of how Louis Pasteur collected saliva to use in developing his vaccines.
“.. watching Pasteur perform this trick with a glass tube held in his mouth, as two confederates with gloved hands pinned down a rabid bulldog.”
My confederates can’t hold a mildly pissed off cat with gloves on sometimes. I pointed this out to them. They pointed out that the next paragraph discusses how they had a loaded gun on hand in case someone got bit. They postulated that they could shoot me and get a new job if I tried to get them to do something as stupid as holding a rabid bulldog.
Next it discusses getting the head removed from a rabies suspect.
“The first part of that process — capturing and humanely dispatching a deranged animal — is fairly standard stuff for your local vet.”
Well, thanks for the vote of confidence but, yeah, no. Not routine. At least not the deranged animal part.
“If the vet is lucky, her hospital has seen enough suspected rabies cases that it has thought to keep a hacksaw handy.”
Lucky? Is that her definition of lucky? Where does this woman practice? I think I’m lucky in that I’m not handling rabies suspects every day.
One of my favorite vet school memories though involves putting a head back on after the brain was tested. I was in my pathology rotation and someone had mistakenly told the owners of a large dog that they could have the body back in pristine condition after the brain was removed. The pathologists were furious but couldn’t say no after it was promised. I was just learning to quilt so I volunteered and spent an afternoon hand sewing a head back onto a body. I matched points and gathered as needed. The hair laid over the sutures to hide it. He looked amazing, if I do say so myself.
Anyway, back to the book. I liked the chapters about the medical aspects of the disease even if some of them made me doubt my medical training.
“Dogs, (Aristotle) wrote with an odd confidence, suffer from only three diseases: lyssa, or rabies; cynanche, severe sore throat or tonsillitis; and podagra, or gout.”
Well, there’s four years of my life in vet school wasted if that’s all they get.
Other portions of this book discuss the idea that fear of rabies inspired the legends of the werewolf and the vampire. I wasn’t as interested in those aspects as the medical ones. Your experience may be different.
The end discusses a rabies outbreak started when someone smuggled a dog that ended up having rabies onto the previously rabies-free island of Bali in 2008. The government’s first response was to order all dogs killed but of course, people hid their pets so that didn’t work. Vaccination protocols were set up to contain the disease. And that’s why governments don’t let you just bring pets into their countries just willy-nilly, even if you are a celebrity and think that laws don’t apply to you.