Kiss Carloby Adriana Trigiani
Published on June 20th 2017
Itâ€™s 1949 and South Philadelphia bursts with opportunity during the post-war boom. The Palazzini Cab Company & Western Union Telegraph Office, owned and operated by Dominic Palazzini and his three sons, is flourishing: business is good, theyâ€™re surrounded by sympathetic wives and daughters-in-law, with grandchildren on the way. But a decades-long feud that split Dominic and his brother Mike and their once-close families sets the stage for a re-match.
Amidst the hoopla, the arrival of an urgent telegram from Italy upends the life of Nicky Castone (Dominic and his wifeâ€™s orphaned nephew) who lives and works with his Uncle Dom and his family. Nicky decides, at 30, that he wants moreâ€”more than just a job driving Car #4 and more than his longtime fiancÃ©e Peachy DePino, a bookkeeper, can offer. When he admits to his fiancÃ©e that heâ€™s been secretly moonlighting at the local Shakespeare theater company, Nicky finds himself drawn to the stage, its colorful players and to the determined Calla Borelli, who inherited the enterprise from her father, Nicky must choose between the conventional life his family expects of him or chart a new course and risk losing everything he cherishes.
Kiss Carlo is a meandering family story that takes place over a few years in post WWII Philadelphia.Â The Palazzini family lives together in a large house containing Uncle Dom and Aunt Jo, their three sons and their wives, and a cousin, Nicky.Â The men all work together also in the family cab company.
What no one knows is that Nicky has been moonlighting at a struggling Shakespeare theater.Â He’s a stagehand but an emergency forces him onstage mid-play and makes him realize that he wants to act.Â He also has a man die in his cab which forces the realization that he isn’t doing exactly what he wants with his life.Â His actions shake up the whole Palazzini family when Nicky breaks off his engagement and moves out of the house.
The book is full of distinct and interesting characters.Â With such a large cast it could have been hard to keep the characters separate, but the author did a very good job of writing each one as a individual with their own backstory, personality traits, and motivations.Â There are no “generic sisters-in-law” here.
Hortense is the African-American dispatcher and telegraph operator at the cab company.Â She’s no nonsense and proudly self-educated.Â Her husband doesn’t appreciate her and demeans her.Â She forges a friendship with a housebound Italian widow over a weekend who shares part of her way of making marinara sauce.Â This leads to a business opportunity for Hortense because she’s savvy enough to see how a simple sauce fits into the need for convenience for the modern house wife.Â Adding this character gives an outsider’s view of the Italian families and neighborhood of Philadelphia.
This is a long book that doesn’t have one distinct through story.Â It is a book that you just need to settle into and let it take you along for the ride instead of trying to imagine where the journey is going to take you.