When Kimberly Chang and her mother emigrate from Hong Kong to Brooklyn squalor, she quickly begins a secret double life: exceptional schoolgirl during the day, Chinatown sweatshop worker in the evenings. Disguising the more difficult truths of her life like the staggering degree of her poverty, the weight of her family’s future resting on her shoulders, or her secret love for a factory boy who shares none of her talent or ambition. Kimberly learns to constantly translate not just her language but herself back and forth between the worlds she straddles.
Through Kimberly’s story, author Jean Kwok, who also emigrated from Hong Kong as a young girl, brings to the page the lives of countless immigrants who are caught between the pressure to succeed in America, their duty to their family, and their own personal desires, exposing a world that we rarely hear about.
Written in an indelible voice that dramatizes the tensions of an immigrant girl growing up between two cultures, surrounded by a language and world only half understood, Girl in Translation is an unforgettable and classic novel of an American immigrant-a moving tale of hardship and triumph, heartbreak and love, and all that gets lost in translation.
This book is heartbreaking. From the beginning you just want to hug these characters and beat up anyone who wants to harm them. It is immediately obvious that the author is writing about her life. The details that are included about living in extreme poverty in a condemned building while relying on an illegal job that pays pennies for piecework have to come from lived experience and not research.
I was ready to fight the evil Aunt who oh so generously brings her little sister and niece to the U.S. and then knowingly dumps them in these conditions. She pretends to be helping them SO MUCH out of the KINDNESS OF HER HEART while leaving them in a building with no heat. She underpays them and then manages to steal back a lot of the money they earned. She needed somebody to whup her.
Even people who were nice to them did not have the ability to understand what was happening to them. One of her friends started to see but asked her wealthy parents and was assured that she must have the situation confused because no one lives like that.
This is a story that anyone who thinks that immigrants get handed new lives in the United States needs to read. This is a story that wealthy people who think that children and poor people don’t work dangerous jobs that defy labor laws in the U.S. need to read.
Jane McKeene was born two days before the dead began to walk the battlefields of Gettysburg and Chancellorsville—derailing the War Between the States and changing America forever. In this new nation, safety for all depends on the work of a few, and laws like the Native and Negro Reeducation Act require certain children attend combat schools to learn to put down the dead. But there are also opportunities—and Jane is studying to become an Attendant, trained in both weaponry and etiquette to protect the well-to-do. It’s a chance for a better life for Negro girls like Jane. After all, not even being the daughter of a wealthy white Southern woman could save her from society’s expectations.
But that’s not a life Jane wants. Almost finished with her education at Miss Preston’s School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn’t pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose. But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. And the restless dead, it would seem, are the least of her problems.
When the bodies of the dead come back and attack people, the fighting in the Civil War stops. What doesn’t stop is the racism that was inherent in the United States. Now, 20 years after the shamblers first appeared, black children are taken and trained for combat duty.
The system replicates the hierarchy of slavery. “Better” girls are trained in elite schools to be bodyguards to wealthy white women. They guard them from shamblers and serve as chaperones as the white ladies socialize. Other girls end up working in the fields clearing shamblers as they approach towns. Those people don’t have a long life span.
For me the story got most interesting when Jane and some companions are sent west to a planned community run by a pastor and his son, the sheriff. Everything is set up for the safety and protection of white families but it is all run on the forced labor of black people. The white overseers are so terrified of their black charges that they deliberately undermine their ability to fight shamblers by not giving them adequate weapons thus weakening the defenses of the whole town. They won’t listen to the advice and expertise of black women until it is literally life or death.
This book didn’t interest me as a zombie/horror story. It was at its best when showing off the absurdities of racism. From phrenology to tell who is white and who is black to medical experimentation on unwilling black people to unequal distribution of assets this book highlights many aspects of systemic racism by placing them in a fantasy setting where people should be more interested in working together for survival than upholding an arbitrary hierarchy.
What thirteen-year-old Abby wants most is to meet her father. She just never imagined he would be a huge film star--in Bollywood! Now she's traveling to Mumbai to get to know her famous father. Abby is overwhelmed by the culture clash, the pressures of being the daughter of India's most famous celebrity, and the burden of keeping her identity a secret. But as she learns to navigate her new surroundings, she just might discover where she really belongs.
This book was so cute! I don’t read a lot of middle grade but I loved the sound of this one.
Abby’s mother found out she was pregnant after her college boyfriend moved back to India. She was able to contact his family but he never returned her calls. Now thirteen, Abby develops an allergy that starts her asking more questions than ever before about her father’s side of the family.
Her father changed his name and became a famous actor after he returned to India. Attempts to contact him for his medical history are finally successful. Now he wants to get to know her but it all needs to be carefully controlled because he is a huge star and he needs to control his image.
Abby’s a biracial child who has never had any contact with the Indian part of identity. There is tension between her parents because of her father being absent for all of her life. Her father is used to calling the shots in his life and her mother is not about to just go along with his ideas now that he’s back in the picture. Abby’s also finding out that her wealthy father’s life in India is not typical for the country.
The book does a good job of making each of the characters multidimensional. All of them have well developed concerns and personalities. I really hoped that there was a sequel to see what came next in their lives because there is so much to explore but there isn’t a second book. That made me sad. I didn’t want to leave these characters behind.
Praise for Nicola May’s books
‘This book will twang your funny bone & your heartstrings’ – Milly Johnson‘A fun and flighty read’ the Sun‘A funny and fast-paced romp – thoroughly enjoyable!’ Rosa Larkin is down on her luck in London, so when she inherits a near-derelict corner shop in a quaint Devon village, her first thought is to sell it for cash and sort out her life. But nothing is straightforward about this legacy. While the identity of her benefactor remains a mystery, he - or she - has left one important legal proviso: that the shop cannot be sold, only passed on to somebody who really deserves it. Rosa makes up her mind to give it a go: to put everything she has into getting the shop up and running again in the small seaside community of Cockleberry Bay. But can she do it all on her own? And if not, who will help her succeed - and who among the following will work secretly to see her fail? There is a handsome rugby player, a sexy plumber, a charlatan reporter and a selection of meddling locals. Add in a hit and run incident and the disappearance of a valuable engraved necklace – and what you get is a journey of self-discovery and unpredictable events. With surprising and heartfelt results, Rosa, accompanied at all times by her little sausage dog Hot, will slowly unravel the shadowy secrets of the inheritance, and also bring her own, long-hidden heritage into the light.
It seems like I’m going with the unpopular opinion based on the reviews I’ve read from other people. From the description I expected a light-hearted, funny read typical of the chick lit genre. This book is not that. It is surprisingly dark especially considering how it is being marketed.
The main character is self-destructive. She drinks excessively and can’t keep a job. Her main human contact is a series of one night sexual encounters. She uses sex to help make up for the fact that she can’t always pay for the rent on her flat. The only thing she loves at all is her dog, Hot. Getting an inheritance is a way for her to get out of her current life and start fresh.
Usually in this type of book the small town the heroine goes to is full of lovely characters. Here that isn’t the case. In short order she is scammed, sexually assaulted, and her secret is outed against her express wishes. Then she is threatened to provide someone with an alibi for a hit and run.
She eventually finds some nicer people but they have secrets too. Then people keep breaking into her house, she ends up with a pregnant teenager living with her, she gets scammed a few more times, she finds out about a decades old affair, and her dog gets hurt (but he’s ok). This isn’t a bad book but I didn’t read it anything like the laugh a minute romp I’m seeing other people review it as. I read it more as a cautionary tale about trying to keep secrets and the need to have someone who you can confide in. Rosa is very damaged emotionally and trying to move past that in her own way isn’t easy. Trying to open up and let other people in when you have learned over and over not to trust is hard. When those people then repeatedly violate your tentative trust, what do you do?
I read an ARC so hopefully things have been cleaned up but there was an error in my copy. She was reading letters about a person who was only referred to by an initial. But when she thought about the person she thought of them by their full first name. She had no way of knowing that.
Fleeing from a romance gone wrong, Ellie Farmer arrives in the pretty little village of Sunnybrook, hoping for a brand new start that most definitely does not include love! Following an unscheduled soak in the village duck pond, she meets Sylvia, who runs the nearby Duck Pond Café. Renting the little flat above the café seems like the answer to Ellie's prayers. It's only for six months, which will give her time to sort out her life, far away from cheating boyfriend Richard.
But is running away from your past ever really the answer?
Clashing with the mysterious and brooding Zack Chamberlain, an author with a bad case of writer's block, is definitely not what Ellie needs right now. And then there's Sylvia, who's clinging so hard to her past, she's in danger of losing the quaint but run-down Duck Pond Café altogether.
Can Ellie find the answers she desperately needs in Sunnybrook? And will she be able to help save Sylvia's little Duck Pond Café from closure?
Books set in cafes in England are my favorites. This story features both a bakery and a cafe.
This is the first of a planned series of three books in this small town. This section has the task of setting up all the characters and situations which is a lot to do in such a small space. As a result it felt a bit like the author was ticking off the boxes of what is expected in this genre.
A woman who just was dumped by her long term boyfriend for another woman
A conveniently single man at her new location complete with an adorable child
An aging proprietor of a failing cafe who wants to take in a total stranger
The story was enjoyable but it never rose above the predictable. There wasn’t enough depth of emotion in the story to draw me in fully. This may be a series read best when it is all completed so the characters have room to develop and grow.
I’m most interested in seeing the development of some of the secondary characters like the secret baker who is learning to stand up for herself.
1881, Sussex. Lady Helena Scott-De Quincy’s marriage to Sir Justin Whitcombe, three years before, gave new purpose to a life almost destroyed by the death of Lady Helena’s first love. After all, shouldn’t the preoccupations of a wife and hostess be sufficient to fulfill any aristocratic female’s dreams? Such a shame their union wasn’t blessed by children . . . but Lady Helena is content with her quiet country life until Sir Justin is found dead in the river overlooked by their grand baroque mansion.
The intrusion of attractive, mysterious French physician Armand Fortier, with his meddling theory of murder, into Lady Helena’s first weeks of mourning is bad enough. But with her initial ineffective efforts at investigation and her attempts to revive her long-abandoned interest in herbalism comes the realization that she may have been mistaken about her own family’s past. Every family has its secrets—but as this absorbing series will reveal, the Scott-De Quincy family has more than most.
Can Lady Helena survive bereavement the second time around? Can she stand up to her six siblings’ assumption of the right to control her new life as a widow? And what role will Fortier—who, as a physician, is a most unsuitable companion for an earl’s daughter—play in her investigations?
I loved Helena. At the beginning of the book she has just been widowed for the second time although she is only in her early 20s. She is the youngest daughter in a large family. Because of that she has always been treated as a child. They even call her “Baby” although her brother is younger than her.
Helena is shocked by the death of her husband and is starting to get angry about the way her family has swooped in assuming that she is a problem that needs to be managed again. She declares that she is not going to be married off again. She is going to manage her own estate. She is not going to be pushed out of her own life any more.
Then her late husband’s doctor tells her that he doesn’t believe his death was accidental but that the other men on the inquiry panel ruled against him. Most of those men are related to her. What are they trying to hide?
There are several plot lines in this book.
How did Helena’s husband actually die?
Helena standing up for herself with her family
A tenant farmer’s death
I enjoyed reading about Helena’s relationships with each of the people in her large family. She’s always accepted the surface version of things but now that she’s starting to dig deeper into her life, things aren’t always as she assumed. Her little brother is overbearing and too enamored of his status as the head of the family but he isn’t always wrong about what she should do with her life. Her mother and father may not have had the idyllic marriage that Helena imagined. There may be more to her free-spirited artist sister than she expects. All these relationships set up storylines that can continue into other books in the series.
The book dives into disability during this time period also. Helena’s mother is in the late stages of dementia. She has a full time nurse but the mental toll on family members and on Helena’s mother is discussed in ways appropriate to the time period. Helena’s brother reads as autistic. At this time, that wasn’t a described condition so he is mostly considered odd and sometimes offputting. But, his wife loves him and understands him and helps him interact with his family and the rest of the world. Helena has a physically disabled nephew who she loves but who is treated as feeble-minded by his parents even though he is not. She helps him learn to stand up for himself as she learns it for herself.
I’m not a fan of books where lay people investigate crimes unless the story sets up a good reason why the authorities can’t be involved. In this case the authorities of the area are all family members who may be involved. The doctor is French and may be a spy. You never know quite who you can trust.
I will definitely read the next book in this series.
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Jane Steen was born in England and, despite having spent more years out of the British Isles than in, still has a British accent according to just about every American she meets.
Her long and undistinguished career has included a three-year stint as the English version of a Belgian aerospace magazine, an interesting interlude as an editor in a very large law firm, and several hectic years in real estate marketing at the height of the property boom. This tendency to switch directions every few years did nothing for her resume but gave her ample opportunity to sharpen her writing skills and develop an entrepreneurial spirit.
Around the edges of her professional occupations and raising children, she stuck her nose in a book at every available opportunity and at one time seemed on course to become the proverbial eternal student. Common sense prevailed, though, and eventually she had the bright idea of putting her passion for books together with her love of business and writing to become a self-published author.
Jane has lived in three countries and is currently to be found in the Chicago suburbs with her long-suffering husband and two adult daughters.
Between grad school and multiple jobs, Naledi Smith doesn’t have time for fairy tales…or patience for the constant e-mails claiming she’s betrothed to an African prince. Sure. Right. Delete! As a former foster kid, she’s learned that the only things she can depend on are herself and the scientific method, and a silly e-mail won’t convince her otherwise.
Prince Thabiso is the sole heir to the throne of Thesolo, shouldering the hopes of his parents and his people. At the top of their list? His marriage. Ever dutiful, he tracks down his missing betrothed. When Naledi mistakes the prince for a pauper, Thabiso can’t resist the chance to experience life—and love—without the burden of his crown.
The chemistry between them is instant and irresistible, and flirty friendship quickly evolves into passionate nights. But when the truth is revealed, can a princess in theory become a princess ever after?
I don’t generally read contemporary romance but people have been raving about this book. I’ve also liked Alyssa Cole’s historical romances so I decided to give it a try. I’m glad I did.
I laughed out loud to see that this story starts with a variation on the Nigerian Prince email scam. Naledi receives an email claiming that she may be the long lost betrothed of a prince of an African country. Now if she’s only send all the necessary information to establish her identity…..
There are many places where this book could have easily gone from entertaining to annoying. The author did a great job with keeping the mystery/suspense up but allowing pieces of the puzzle to be revealed in a natural way instead of dragging out conflicts.
There is a lot going on in this book.
There is the Prince and the Pauper aspect as Thabiso tries to live as a normal person for a week. He gains insights on how he’s been treating all the “little people” in his life.
Naledi is having to deal with white male colleagues who use her for grunt work in their lab. Any time she speaks up for herself she is afraid of being labeled a “difficult black woman.” I like the way another woman in the department was eventually able to stand up for her.
Naledi has a rich friend who overruns any boundaries Naledi tries to set up but who she knows cares about her.
Then there are the mysteries of why her parents ran away from Africa with her and what is the new illness that appearing in Thabiso’s country.
That’s all without adding in the romance aspect.
I’d recommend this book for anyone who likes romance books. It is the start of a series. Somewhere in this series I want a book about what happened with Thabiso’s assistant. She travels with him to the U.S., starts a whirlwind romance with a woman she meets on Tinder, has some sort of bad break up that she refuses to talk about, and then heads back to Africa with Thabiso and Naledi. There’s way more to that story than the teasing bit we saw in this book.
Let the shenanigans begin at the Best Boomerville Hotel …
Jo Docherty and Hattie Contaldo have a vision – a holiday retreat in the heart of the Lake District exclusively for guests of ‘a certain age’ wishing to stimulate both mind and body with new creative experiences. One hotel refurbishment later and the Best Boomerville Hotel is open for business!
Perhaps not surprisingly Boomerville attracts more than its fair share of eccentric clientele: there’s fun-loving Sir Henry Mulberry and his brother Hugo; Lucinda Brown, an impoverished artist with more ego than talent; Andy Mack, a charming Porsche-driving James Bond lookalike, as well as Kate Simmons, a woman who made her fortune from an internet dating agency but still hasn’t found ‘the One’ herself.
With such an array of colourful individuals there’s bound to be laughs aplenty, but could there be tears and heartbreak too and will the residents get more than they bargained for at Boomerville?
This book wants to be a fun romp in the country with an eclectic group of people. That’s a fun premise for a book. I’m always on the look out for books with middle-aged or older protagonists.
I got a bit thrown off right at the beginning of the book with her definition of Boomers. She defines them as 50-69 which is a tad young for a book published this year. She then makes her main character 50. So this is supposed to be a book celebrating Baby Boomers yet she makes the lead as young as she possibly can. Then there are several comments throughout the book about how they don’t want “elderly people” at the hotel. Older women at the hotel are described as “ageing” in a disparaging way. That all seemed odd for a book that is supposed to be celebrating Baby Boomers.
There is a party that is held at one point in the book. They decide to have Indian food. That’s fine. Then they decide to make it a costume party where all these upper class white British people will be wearing saris, turbans, and other Indian styles of dress. That’s pushing pretty far towards creepy and inappropriate. Then they decide to make it a party celebrating the British Raj. Yeah. That’s pretty out of touch.
Then there is the Shaman. He doesn’t have a name. He isn’t seen often. He has both a “gypsy caravan” and a teepee. He does sessions of some kind in there. They appear to involve getting people high. Then he starts showing up and making mysterious pronouncements of doom while also healing people with a touch before disappearing from sight. One time he turns up to do a Shamanistic wedding ceremony and the guest indulge it as “a cabaret with a difference.”
So the guests are all rich white people who can take off for weeks at a time to stay at a hotel and putter about. The entertainment is a mish mash of other people’s cultures for fun. The “romances” in the book are pure insta-love. Our main character had two men fall for her on the first day she was there. They were just overtaken by her beauty. Once people decide to look at each other as a potential romantic interest, that’s it they are getting ready to get married. This is explained as people being old and not having much time left. I get not dawdling but this felt more like, “You’re breathing. You’ll do.”
I’d love to see this idea with maybe fewer characters so each could be well developed as a person instead of a stereotype – flighty artist, dirty old man, etc.
In the glittering hotbed of turn-of-the-twentieth-century Vienna, one woman’s life would define and defy an era
Gustav Klimt gave Alma her first kiss. Gustav Mahler fell in love with her at first sight and proposed only a few weeks later. Bauhaus founder Walter Gropius abandoned all reason to pursue her. Poet and novelist Franz Werfel described her as “one of the very few magical women that exist.” But who was this woman who brought these most eminent of men to their knees? In Ecstasy, Mary Sharratt finally gives one of the most controversial and complex women of her time the center stage.
Coming of age in the midst of a creative and cultural whirlwind, young, beautiful Alma Schindler yearns to make her mark as a composer. A brand-new era of possibility for women is dawning and she is determined to make the most of it. But Alma loses her heart to the great composer Gustav Mahler, nearly twenty years her senior. He demands that she give up her music as a condition for their marriage. Torn by her love and in awe of his genius, how will she remain true to herself and her artistic passion?
Part cautionary tale, part triumph of the feminist spirit, Ecstasy reveals the true Alma Mahler: composer, author, daughter, sister, mother, wife, lover, and muse.
I received this book from Historical Fiction Virtual Book Tours.
Alma Mahler was a very interesting woman. She was ambitious in a time and place that did not reward that in upper class white women. She wanted to be a composer but was told that she couldn’t if she wanted to marry the man she wanted.
This book does a good job of highlighting the mental cost of requiring a woman to be a wife and mother if that is not their desire. Her depression and their martial troubles in the face of his refusal to see her as a creative human being was well written.
I wish this book had pulled me deeper into the story emotionally. Great historical fiction should immerse you in the time and place. It should take a little effort to get your focus out of that world when you put the book aside. This reading experience felt very surface level which is a shame. Early 20th century Vienna and the artistic world there could be a very lush setting for a novel.
I enjoyed learning about this woman that I had not previous been aware of.
An incisive, laugh-out-loud contemporary debut about a Taiwanese-American teen whose parents want her to be a doctor and marry a Taiwanese Ivy Leaguer despite her squeamishness with germs and crush on a Japanese classmate.
At seventeen, Mei should be in high school, but skipping fourth grade was part of her parents' master plan. Now a freshman at MIT, she is on track to fulfill the rest of this predetermined future: become a doctor, marry a preapproved Taiwanese Ivy Leaguer, produce a litter of babies.
With everything her parents have sacrificed to make her cushy life a reality, Mei can't bring herself to tell them the truth--that she (1) hates germs, (2) falls asleep in biology lectures, and (3) has a crush on her classmate Darren Takahashi, who is decidedly not Taiwanese.
But when Mei reconnects with her brother, Xing, who is estranged from the family for dating the wrong woman, Mei starts to wonder if all the secrets are truly worth it. Can she find a way to be herself, whoever that is, before her web of lies unravels?
This book is so good!
Conflict between immigrant Asian parents and their American-born kids is a staple in a lot of books. What I appreciated about this book is that it took a deeper look at the people involved to figure out their motivations. Mei is trying to be the perfect daughter because she has seen real world consequences of disobedience. Her brother was cut out of the family years earlier for dating a woman with some health issues that may impact her fertility. His parents would not accept a potential daughter in law who might not produce grandchildren. Mei is raised on stories of a local Taiwanese-American woman who was cast out of her family and the horrible things had (supposedly) happened to her. From an outsider’s perspective it is easy to wonder “Why doesn’t she stand up for herself?” This book does a great job of showing where she gets the idea that she has no other options.
The book features other characters who have been in these situations and examines the results of their decisions. There is:
A woman who became a doctor because her family decided she would be
A female relative whose life is taken up by caring for her mother
Mei’s boyfriend, who is from a Japanese-American family that has been living in the United States for several generations
Mei’s mother’s story was amazing. At the beginning she is portrayed as an overbearing, neurotic mother who has Mei’s schedule memorized and panics if she doesn’t answer her phone when she knows she should be out of class. Her phone messages are played for laughs. As the story deepens though we start to see her conflicts. She’s the daughter-in-law of a very traditional family in an arranged marriage where her role is very sharply defined. As she sees Mei start to branch out, she opens up a little about her life and you develop a lot of compassion for a character who very easily could have descended into a caricature.
It’s great. I would recommend this one to everyone. Go get it and read it and pass it on.
Camellia Beauregard is a Belle. In the opulent world of Orléans, Belles are revered, for they control Beauty, and Beauty is a commodity coveted above all else. In Orléans, the people are born gray, they are born damned, and only with the help of a Belle and her talents can they transform and be made beautiful.
But it’s not enough for Camellia to be just a Belle. She wants to be the favorite—the Belle chosen by the Queen of Orléans to live in the royal palace, to tend to the royal family and their court, to be recognized as the most talented Belle in the land. But once Camellia and her Belle sisters arrive at court, it becomes clear that being the favorite is not everything she always dreamed it would be. Behind the gilded palace walls live dark secrets, and Camellia soon learns that the very essence of her existence is a lie—that her powers are far greater, and could be more dangerous, than she ever imagined. And when the queen asks Camellia to risk her own life and help the ailing princess by using Belle powers in unintended ways, Camellia now faces an impossible decision.
With the future of Orléans and its people at stake, Camellia must decide—save herself and her sisters and the way of the Belles—or resuscitate the princess, risk her own life, and change the ways of her world forever.
I wanted to love this book so much more than I did. I’ve been hearing about it for so long and have heard such glowing praise of it that when I finished it and felt a bit blah towards it, I was disappointed.
This book has been super hyped because of the use of a black model in a gown on the cover. It was celebrated as a great step forward for representation in books and it is. But because of that I thought that race would play a bigger part in this book than it does. Skin color in this world is decided on a whim. There is no change in status/power/importance placed on the skin color that you have. It is a fashion accessory. It just seemed like it went from “Yay for Black Girls” on the cover and in the promotions to “But actually, this doesn’t have anything to do with you specifically” in the story. If I didn’t know anything about how this book was promoted, it probably wouldn’t have felt strange to me.
The author does a great job in the opening of setting up the world. It is imaginative and vivid. After that though the world building just seems to stop. This is a long novel at 448 pages. In most fantasy books that size you’d know about countries around the area, the basis of the economy, how people of different classes live, what is their technology based on, etc. The main character is very sheltered but that isn’t unusual in fantasy. Usually they find out more about their surroundings that she does in this book though. At least they show some interest in what is going on around them. Camillia really doesn’t.
Wishy Washy Heroine
Events happen to the characters in this book. They do not direct the action. I think this is the key to my dissatisfaction with this book.
Every time she is asked to make a decision, she puts it off for days. Eventually she makes a decision but it is usually irrelevant by then because events have moved on. When deciding between what is right/hard and what is easy/cruel, she always chooses easy/cruel if forced to make a choice in the moment. She seems like she is supposed to be a nice person – she remembers servants’ names! – but she is so very weak. Only after witnessing and participating in abuse after abuse does she start to think that something might be wrong. I would be much more interested in reading a story about the one of her fellow Belles who threw a fit about what she was being made to do almost from the beginning.
Series vs Stand alone book
It is fine to have a book designed to be part of a series but I hate it when there is no resolution at the end of a book. Even just wrapping up some side storylines is more satisfying than a totally open-ended book. In a way this feels like the story is just starting and the pages run out. That’s fine if you can move right on to the next book but it is annoying here. At the end I kept thinking of questions that weren’t answered and thinking, “Maybe that’s in the next book” instead of enjoying what was in this one.
I think the idea was good. There are some very creative details in the world building like teacup elephants and mail being delivered by small balloons. It may turn out to be the beginning of a good series. But it doesn’t stand alone well as a single book.
Cooking a wonderful meal is an art. An act of love. An act of grace. A gift that affirms and gives life—not only does it nurture those who partake of the meal; it also feeds the soul of the creator. These are lessons Gina learns from her mother, daughter of an unfortunate French chef.
Gina is a young woman born to poor parents, a nobody keen to taste life outside the world she was born into. A world that exposes her to fascinating people gripped by dark motives. Her passion for cooking is all she has to help her navigate it.
She gets lucky when she’s chosen to cook at a Michelin-starred restaurant in the San Francisco Bay Area where customers belong to a privileged class with money to spare for a dinner of inventive dishes costing hundreds of dollars. In this heady, scintillating atmosphere, she meets new friends and new challenges—pastry chef Marcia, filthy rich client Leon, and Brent, a brooding homicide detective. This new world, it turns out, is also one of unexpected danger.
The main character is working at a restaurant. She has a chance to serve one of the dishes she created to a favored client. He is there on a date with her childhood best friend. He immediately, like while sitting in front of his date, starts talking about his interest in the main character. That’s super creepy behavior. Then he starts to stalk her in spite of her repeated requests for him to stop.
Apparently every time her friend’s boyfriends meet our main character they immediately fall for her without her doing anything at all to encourage them.
I actually checked several times to confirm that this was written by a woman. You usually don’t see the ‘vapid heroine who doesn’t do anything to attract men but they fall all over her just for existing storyline’ in books written by women. You especially don’t see it to the point where other women are physically attacking her – repeatedly. This book also doesn’t really seem to consider stalking to be a bad thing. It is just proof he loves you. If he won’t stop, you just haven’t said no hard enough and why are you wanting to say no anyway?
I thought our stalking dude was obviously the bad guy of the story but I was wrong. Our MC decides to move in with her stalker because he’s rich and she wants to live that lifestyle until he gets tired of her and kicks her out. That’s her plan. When her mother tells her that it is a completely stupid idea she is presented as out of touch.
I didn’t care about anyone in this story except maybe Christi, the main character’s childhood best friend. Everyone else was only out for themselves and didn’t give you any reason to root for them. I’m not a fan of books with amoral characters. Books where everyone is just using each other with no concern about the right or wrong of their actions don’t usually work for me. That’s definitely the case here.
Evy Journey, writer, wannabe artist, and flâneuse (feminine of flâneur), wishes she lives in Paris where people have perfected the art of aimless roaming. Armed with a Ph.D., she used to research and help develop mental health programs.
She’s a writer because beautiful prose seduces her and existential angst continues to plague her despite such preoccupations having gone out of fashion. She takes occasional refuge by invoking the spirit of Jane Austen to spin tales of love, loss, and finding one’s way—stories into which she weaves mystery or intrigue.
Deborah’s father dreamed that, one day, she would become a prophet—a seemingly impossible dream for a woman in a patriarchal society. To see her father’s dream come true, Deborah made the cunning decision to become a man and sought out a mysterious elixirist who can turn women into men.
Under the elixirist Kassite’s tutelage and training, Deborah learns the essential traits of masculinity and steadily grows stronger, building muscle and willpower. But Kassite requests something in return: he needs Deborah's help to escape the tannery and return to his homeland. It is the beginning of another thrilling adventure through the desert—a cat and mouse chase between Deborah and her violent fiancé who still hunts her, a chance meeting with an ancient healer with a prophetic message, and a revelatory spiritual experience in an abandoned cave.
As she continues on the path God has laid before her, Deborah witnesses the darkness that can take hold in the hearts and souls of men—evil that causes her to reflect on the wisdom, insight, and inspiration she has gained from the women in her life. Will becoming a man truly help her become a prophetess, or might there be another path? Visionary dreams, a mysterious eagle, and an extraordinary band of ex-slaves will help Deborah find the answer . . . and ultimately her calling.
I haven’t read the first book in this series that imagines the life of Deborah from the biblical book of Judges. I received this book as part of a blog tour but it was not difficult to understand what had come before. We know in the bible Deborah is leading the tribes of Israel but how did a woman get to this position of authority? This story posits that her father had a dream that said that she would be a prophet. She can not imagine how this could happen as a woman so she decides to take a potion that would turn her into a man. Obviously, hormone therapy wasn’t available then so she is getting scammed by the people who are supposedly helping her.
She has a lot of internalized misogyny. This isn’t surprising given the thoughts about women in her time. But the men who are supposedly helping her keep drilling it into her head. Women are stupid and emotional. Men are in all ways superior. I started highlighting these comments as they came up in the book.
“Girls aren’t stupid.” “It is not a matter of stupidity, but of destiny. Women exist to keep the home—make food, sew clothes, bear children, care for infants. That is why the gods made women fit for domesticated submission—passive, temperamental, small-minded, and anxious.“
Deborah’s face flushed with shame. The mere sight of someone resembling Zariz had caused her to cast off all masculine strength and posture, instantly regressing to the foolish girl she had once been.
Kassite might view it as yet another manifestation of feminine weakness.
There are more but that is the general idea. They keep telling her that she needs to search inside herself to get the final inspiration to complete her transformation to a man. I was hoping that this led to her realizing her strength as a woman and deciding that she didn’t need to change herself externally in order to be able to be a prophet. The book could have easily had that be the outcome. I thought that was what it was leading to. Instead she decides to embrace her life as a woman because she has a magical dream where she sees herself dispensing justice as a woman. What?
When she declares this to her “mentors”, they dismiss her ideas and no longer accord her the same respect as when she was trying to be masculine.
“I am disappointed,” Kassite said. “You still think like a girl.”
Obviously the constraints of the time and place restrict how “Smash the Patriarchy” the story can go but I wanted more realization of feminine strength than was seen in this book.
This is part of a continuing series. You don’t know at the end how she rises in power. This is a story that I would love to hear but I’m not sure that I will be satisfied with this author’s imagining of the story. This book works fine as an adventurous historical fiction tale but it was worrisome to read this much internalized misogyny that isn’t disputed in the text from a male author.
There are also some anachronisms in the story especially in regard to the horses. I’m a horse history nerd so that might not bother anybody else.
Being a superheroine is hard. Working for one is even harder.
Evie Tanaka is the put-upon personal assistant to Aveda Jupiter, her childhood best friend and San Francisco's most beloved superheroine. She's great at her job—blending into the background, handling her boss's epic diva tantrums, and getting demon blood out of leather pants.
Unfortunately, she's not nearly as together when it comes to running her own life, standing up for herself, or raising her tempestuous teenage sister, Bea.
But everything changes when Evie's forced to pose as her glamorous boss for one night, and her darkest comes out: she has powers, too. Now it's up to her to contend with murderous cupcakes, nosy gossip bloggers, and supernatural karaoke battles—all while juggling unexpected romance and Aveda's increasingly outrageous demands. And when a larger threat emerges, Evie must finally take charge and become a superheroine in her own right... or see her city fall to a full-on demonic invasion.
Annie and Evie have been friends since Annie first stood up for Evie against some bullies in elementary school. Now as adults, Evie is Annie’s personal assistant. Annie is San Francisco’s only superhero Aveda Jupiter. She’s all about the glory. She dumps everything else on Evie who takes it because she feels like she owes Annie.
Annie/Aveda is truly abusive to Evie. Everyone sees it but her. When Evie is forced out of the shadows she needs to rely on her own powers to save the city and find a life for herself outside of Aveda Jupiter’s orbit.
Good things about this book:
Asian female superheroes – Annie is Chinese and Evie is half-Japanese
The menace is fairly lighthearted and fun. It starts with demons taking the form of cupcakes that bite and ends with demonic minions who complain about everything the boss demon does. I could imagine this whole book as a technicolor comic strip.
Evie learning to stand up for herself is wonderful.
Evie has been suppressing her emotions in order to keep her powers under control. When she starts to get in touch with her feelings, the first one that she notices is lust. She refers to her lack of lustful feelings as the Dead Inside-o-meter. The idea that she hasn’t had sex in three years is considered proof of emotional problems. I’m not a fan of stories that consider either asexuality or celibacy as the weirdest thing that ever happened.
Evie’s teenage sister is the worst person ever. Well, maybe second worse next to Aveda. It is hard to tell but then they start hanging out together and amplify each other’s behavior and it is everything horrible. They are selfish and childish but Evie is supposed to be seen as no fun for objecting to it all.
I didn’t like the romances in this book. They just seemed added because you have to have a sexual partner (see complaint 1). Suddenly, she has feelings for a person who annoys her all the time? The fact that someone annoys you is actually stated as proof that you probably deep down want to sleep with them. No, maybe they are just annoying and you have the good sense to stay away from them.
Everyone knows a guy like Jared: the burnout kid in high school who sells weed cookies and has a scary mom who's often wasted and wielding some kind of weapon. Jared does smoke and drink too much, and he does make the best cookies in town, and his mom is a mess, but he's also a kid who has an immense capacity for compassion and an impulse to watch over people more than twice his age, and he can't rely on anyone for consistent love and support, except for his flatulent pit bull, Baby Killer (he calls her Baby)--and now she's dead.
Jared can't count on his mom to stay sober and stick around to take care of him. He can't rely on his dad to pay the bills and support his new wife and step-daughter. Jared is only sixteen but feels like he is the one who must stabilize his family's life, even look out for his elderly neighbours. But he struggles to keep everything afloat...and sometimes he blacks out. And he puzzles over why his maternal grandmother has never liked him, why she says he's the son of a trickster, that he isn't human. Mind you, ravens speak to him--even when he's not stoned.
You think you know Jared, but you don't.
This is not the book that I expected from the blurb. I expected urban fantasy with Jared finding out he’s supernatural in the beginning of the book and then he has adventures. That doesn’t happen. Instead this is a hard look at the life of a First Nations teenager who lives with his unreliable and violent drug dealer mother and her boyfriend. This book takes you up close and personal into a life of poverty and crime. There is almost no magic happening for the first 2/3 of the book.
It even has two of my automatic DNF plots. His dog dies of heartworm at the beginning of the book (with a very odd veterinary clinic scene that isn’t anything that would happen for real). There is also a scene of his mother killing a dog with her truck on purpose. Animal abuse is a DNF.
I also absolutely hate stories of teenagers who do nothing but drink and take drugs. I hate it in real life and I hate wasting my time on that type of plot in books.
So, knowing all that, why did I finish this book and think it was great?
The writing pulled me in and kept me engaged with the story. Jared looks like he has nothing going for him. His mother is an addict and dealer. He is doing some low-level dealing. But he is trying to keep his mother’s bills paid while also trying to keep his father and his new wife’s rent up to date. He even helps his elderly neighbors with their chores. None of the adult relatives in Jared’s life are responsible so he feels that he needs to be. The only person he feels like he may be able to rely on is his paternal grandmother but his mother has forbidden him to talk to her. He does anyway and he really wants to go live with her in order to finish school but he feels that it would be a betrayal of his mother, even when she is continuously betraying him. By the end you want to protect him from yet another person who lets him down.
As Jared starts to see manifestations of his traditional beliefs appearing before him, he decides that he has been doing too many drugs and decides to get clean. I love that that was his response to an invisible bear in the living room and cavemen in his bedroom. But the magic is real and has always been there even if it is just starting to get through to him.
The author did a good job depicting the charm vs the dangerous irresponsibility of a drug-involved parent. Jared’s mom obviously loves him and dotes on him but she also exposes him to men who hurt him and she will disappear without warning. She relies on him to get her through bad trips and lavishes presents on him when she is manic. She’s horrible but draws you into her self-absorbed world.
Jared’s friends feel real. They are a mix of popular and unpopular kids. Native and non-Native also. Each is well fleshed out and are unique characters.
Of course this book really started to pick up for me when the magic became more apparent. And then it was over. I feel like there wasn’t a resolution. This is part one of a series so I know that there will be more to the story but I would have liked to see more of an ending than this.
Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs.
Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti's stellar travel will bring her within their deadly reach.
If Binti hopes to survive the legacy of a war not of her making, she will need both the gifts of her people and the wisdom enshrined within the University, itself - but first she has to make it there, alive.
I decided not to read any of this trilogy until they were all released. I think that was a good decision. I bought the first two novellas and preordered the third right after Christmas. In the years since Binti came out I had heard a lot about it but somehow did not entirely understand what it was about. I knew that she was a girl from Africa who was going to university on another planet. I thought this was going to be the story of her schooling. It isn’t.
Binti takes place almost entirely on the ship on her way to the university. Binti comes from a insular culture. Family and tradition are of the highest importance. At the same time they are very technologically advanced and make advanced devices for everyone. Binti is most comfortable working with mathematical formulas. They help her focus and relax. She can manipulate electrical current through formulas. Sheis a harmonizer who can bring disparate things together. She’s supposed to take over the family business. Instead she runs in the middle of the night to go off planet. This is an ultimate betrayal of her family and culture.
Every time I read a Nnedi Okorafor book what stays with me is the imagination in the fine details more than the plot. It starts with Binti’s faulty hover technology that she uses to move her suitcases. It extends to the interstellar ships that are actually live animals that look like shrimp. They like to travel and are fine with taking passengers along.
This whole series is an exploration of what it means to be uniquely “you”. Does Binti lose her identity when she leaves her family or is she changing into an expanded version of herself? Is it right or wrong to change in that way? The women of Binti’s tribe wear a mixture of clay and oils on their skin to protect it from the desert. It marks her as an outsider from other cultures on Earth but it saves her when the ship is attacked. She is the only survivor and has to learn to use her gift for harmonizing to help stop a war.
It’s been a year since Binti and Okwu enrolled at Oomza University. A year since Binti was declared a hero for uniting two warring planets. A year since she abandoned her family in the dawn of a new day.
And now she must return home to her people, with her friend Okwu by her side, to face her family and face her elders.
But Okwu will be the first of his race to set foot on Earth in over a hundred years, and the first ever to come in peace.
After generations of conflict can human and Meduse ever learn to truly live in harmony?
The events of the first novella were very traumatic for Binti. She is still learning how to handle her nightmares in addition to the changes in her body after some Meduse DNA was placed in her. Is she still Himba with the addition of alien DNA? Will her family ever be able to accept her if she goes home? She decides that she has to go back to Earth to see. Her goal is to take part in a pilgrimage that will earn her place as an adult woman of the Himba. Okwa, her Meduse friend, decides to go with her. He will be the first Meduse to ever come to Earth peacefully.
Friends and family members turn their back on her. Then she is prevented from going on the pilgrimage by the arrival of members of a desert people who the Himba have always looked down on. They take her into the desert to explain their history to her. Her father is one of the them but he turned his back on them to become Himba. Again we get into questions of identity. Binti was raised to stay in her own community. Her world keeps expanding against her will.
While she is in the desert, her family and Okwa are attacked. Now she has to try to make her way back to see if anyone survived.
This was my favorite of the series. Binti is pushing through the boundaries that have been set for a woman of her age and tribe. As she grows, there is a ripple effect in her community.
Binti has returned to her home planet, believing that the violence of the Meduse has been left behind. Unfortunately, although her people are peaceful on the whole, the same cannot be said for the Khoush, who fan the flames of their ancient rivalry with the Meduse.
Far from her village when the conflicts start, Binti hurries home, but anger and resentment has already claimed the lives of many close to her.
Once again it is up to Binti, and her intriguing new friend Mwinyi, to intervene--though the elders of her people do not entirely trust her motives--and try to prevent a war that could wipe out her people, once and for all.
I’m glad I read these almost back to back. This story picks up immediately where the last one left off. Binti is getting back to her village that has been attacked while she was gone. She tries to rally the survivors but meets opposition from people who believe that their nature requires them to stay neutral and out of harm’s way while other more powerful groups fight. Binti wants to use the power of her culture to bring peace. She is ignored because after all she is just a girl and a very poor example of a Himba, in the elders’ eyes. Binti is becoming a bit more used to her expanded world view though. She can see how to bring people together even though it is going to cost her everything to do this alone.
These books do a very good job of combining traditional Himba culture, other West African beliefs such as the importance of Masquerades, advanced technology, and alien civilizations without making it feel like one is automatically better than any of the others. Binti learns to incorporate all these aspects of herself into her idea of who she is even if she really doesn’t want to.
“I have always liked myself, Dr. Tuka.” I looked up at her. “I like who I am. I love my family. I wasn’t running away from home. I don’t want to change, to grow! Nothing … everything … I don’t want all this … this weirdness! It’s too heavy! I just want tobe.”
I would recommend this series for anyone who enjoys science fiction that is very personal instead of a vast epic. It is for anyone who ever felt like they didn’t fix exactly in the space that they were born to occupy even if they really want to fit there perfectly.
Sometimes the greatest dream starts with the smallest element. A single cell, joining with another. And then dividing. And just like that, the world changes. Annie Harlow knows how lucky she is. The producer of a popular television cooking show, she loves her handsome husband and the beautiful Los Angeles home they share. And now, she’s pregnant with their first child. But in an instant, her life is shattered. And when Annie awakes from a yearlong coma, she discovers that time isn’t the only thing she’s lost.
Grieving and wounded, Annie retreats to her old family home in Switchback, Vermont, a maple farm generations old. There, surrounded by her free-spirited brother, their divorced mother, and four young nieces and nephews, Annie slowly emerges into a world she left behind years ago: the town where she grew up, the people she knew before, the high-school boyfriend turned judge. And with the discovery of a cookbook her grandmother wrote in the distant past, Annie unearths an age-old mystery that might prove the salvation of the family farm.
I chose to read this book because of the mystery surrounding her grandmother’s old cookbook. I wanted to see how it saved the family farm. You know, “living well is the best revenge” and all that.
This book is told in alternating time lines. In the present timeline, Annie has had an accident that put her in a coma. She’s been moved to back to her hometown in Vermont. She wakes up not remembering much about her previous life.
In the flashbacks, you get the story of her growing up on the farm and falling in love with the new kid in town. Then you find out how she became the producer of a hit TV cooking show and met her husband.
I found myself getting bored with the flashbacks. I was much more interested in her current situation than with how she got here. I was glad when the storylines converged and it was all in the present.
How was the foodie content?
You get the basics of how maple syrup is made
You get a brief look at distilling whisky
She did run a successful cooking show
She really likes to cook
But what about the mysterious cookbook that saves the farm? That gets into spoiler territory so I recorded some spoiler-full observations about the book if you are interested.
I would recommend this book to people who like romances with former partners. If you are most interested in the food portions of the book you might be a bit disappointed because it doesn’t play as major of a role as I would have thought.
Victoria-Margaret is the crown princess of the empire, a direct descendant of Victoria I, the queen who changed the course of history two centuries earlier. The imperial practice of genetically arranged matchmaking will soon guide Margaret into a politically advantageous marriage like her mother before her, but before she does her duty, she'll have one summer incognito in a far corner of empire. In Toronto, she meets Helena Marcus, daughter of one of the empire's greatest placement geneticists, and August Callaghan, the heir apparent to a powerful shipping firm currently besieged by American pirates. In a summer of high-society debutante balls, politically charged tea parties, and romantic country dances, Margaret, Helena, and August discover they share an unusual bond and maybe a one in a million chance to have what they want and to change the world in the process —just like the first Queen Victoria.
This is a YA alternative history book that imagines that the British Empire is still alive and well. The decision that made the difference was that Queen Victoria named her eldest daughter heir and then married off all her other children to people in the Empire instead of other European royal families. Now, the Empire is predominately made up of mixed race people. Canada has a high percentage of people originally from Hong Kong. The Church of England consists mostly of a DNA database that chooses the best DNA match for people.
The Crown Princess Victoria-Margaret wants one summer away. She decides to make her debut in Canada while passing herself off as a cousin to one of the leading families there. She makes other friends though who aren’t in on her secret and this leads to romantic entanglements that aren’t what she expected.
I thought the world building was interesting in this book. It was intriguing to think about what might have happened if the British had treated their subjects as people worthy of respect. If you pick too much at the assumptions made in the book though it might all fall apart. My recommendation is just to enjoy it and go along for the ride.
At the end of the book the main characters are hatching a plot. It doesn’t seem very well thought out to me so I will be interested to see what happens in upcoming books.
On her 25th birthday, Charlotte Appleby receives a most unusual gift from the Faerie godmother she never knew she had: the ability to change shape.
Penniless and orphaned, she sets off for London to make her fortune as a man. But a position as secretary to Lord Cosgrove proves unexpectedly challenging. Someone is trying to destroy Cosgrove and his life is increasingly in jeopardy.
As Charlotte plunges into London’s backstreets and brothels at Cosgrove’s side, hunting his persecutor, she finds herself fighting for her life—and falling in love…
This is historical romance series with a fantasy twist. Once upon a time a fairy was helped by a woman. In exchange, she asked for each of her female descendants to be granted one wish when they are in their early twenties. This series covers a few of the descendants as they choose their gift and then deal with the consequences in their lives. I hadn’t read a series before that combined fantasy and Regency romance.
In the first book Charlotte decides to wish for the ability to shapeshift. She uses this gift to disguise herself as a man to attempt to live an independent life. This is a good opening for some social commentary about the restrictions on women. The book is also funny as Charlotte tries to control a male body with its over large hands and obvious responses to sexual attraction. Her employer (and eventual love interest) thinks he is taking a young, particularly naive man under his wing and teaching what life in London is like. As their friendship and attraction deepen, both need to comes to terms with their own understanding of what it means to be attracted to a personality no matter the shape of the body that it is in.
Sir Barnaby Ware made a mistake two and a half years ago. A massive mistake. The sort of mistake that can never be atoned for.
He knows himself to be irredeemable, but the captivating and unconventional Miss Merryweather is determined to prove him wrong…
The daughter of a dancing master and a noblewoman, Miss Merryweather had an unusual upbringing. She sees things no one else sees—and she says things no one else says.
Sir Barnaby knows he’s the villain in this piece, but Miss Merryweather thinks he’s the hero—and she is damnably hard to resist…
Barnaby Ware was introduced in book 1 as the man who broke up a marriage and a lifelong friendship by having an affair. When the wronged party attempts to reach out to him in forgiveness, he resists because he feels that what he did was unforgivable. When he visits his former friend he meets Miss Merryweather. Unbeknownst to him, she is due to receive her fairy gift in a few days.
This is a novella instead of a full length novel. It is also the most forgettable of these books for me. I was more interested in the friendship that was trying to be repaired instead of the romance that is supposed to be blossoming.
Letitia Trentham is noteworthy for three reasons. One, she’s extremely wealthy. Two, she can distinguish truth from lies. Three, she’s refused every man who’s ever proposed to her.
Until Letty receives a proposal she can’t turn down.
Icarus Reid barely survived the Battle of Vimeiro. He lives for one thing—to find the man who betrayed him to the French. He doesn’t want to marry Miss Trentham; he wants to use her talent for uncovering lies.
Suddenly, Letty finds herself breaking the rules, pretending to be someone she’s not, and doing things a lady would never do. But her hunt for the truth may uncover more than one secret—including the secret that haunts Icarus day and night. The secret he intends to take to his grave…
This is one of my favorites of the series. Lydia has been living with her gift – the ability to tell lies from truth – for several years. She has refused all offers of marriage because she knows that the men have only wanted her money and not her. She gets involved with an injured former soldier who hears about her ability (but not the magical reason). He wants her to help him find out what happened in the ambush where he was injured and all his companions were killed.
I liked the fact that this book had an older and wiser heroine. She’s seen it all moving through society with the ability to cut through all the games and polite phrases. The chance to do something new thrills her.
Icarus is suffering from severe PTSD. He’s suicidal and has nightmares every night. It is a good representation of this. As the wife of a veteran with PTSD, I appreciated the thoughtful portrayal.
Lucas Kemp’s twin sister died last year. He’s put aside his mourning clothes, but not his heartache. If Lucas ever needed a friend, it’s now—and who should walk in his door but Lieutenant Thomas Matlock…
Lucas and Tom are more than just best friends; they’ve been in love with each other for years. In love with each other—and pretending not to know it.
But this time, Tom’s not going to ignore the attraction between them. This time, he’s going to push the issue.
He’s going to teach Lucas how to laugh again—and he’s going to take Lucas as his lover…
I did not like this book. I wanted to. This book focuses on two male characters who were important in the last book. I liked them. I wanted to find out more about their relationship. My problem with this one was the way the sex was handled. I’m not a huge fan of sex in books anyway. I much prefer slow burn romances and fade to black sex scenes. While the other books have had sex scenes there was enough romance and character development to balance them.
In this book, there is just sex. You don’t get the romantic parts that were seen in the other books. I think that the difference was here because it was switched to a m/m story instead of a male/virginal female story. I don’t think that is a good reason to leave out the romance and tenderness though. Relationship development is still important and that didn’t happen here.
Eleanor Wrotham has sworn off overbearing men, but she needs a man’s help—and the man who steps forward is as domineering as he is dangerous: the notorious Mordecai Black.
The illegitimate son of an earl, Mordecai is infamous for his skill with women. His affairs are legendary—but few people realize that Mordecai has rules, and one of them is: Never ruin a woman.
But if Mordecai helps Miss Wrotham, she will be ruined.
Eleanor is searching for her sister, who ran away to marry a soldier. Eleanor’s fiance ran off because of the scandal her sister caused. Her father and aunt kept her sister’s letters from her. Now she has found a several month old letter saying that her sister is in trouble. The only person willing to help her is a relative of the man who jilted her.
This ends up being a road trip story like book 3. I don’t think it is quite as strong as that one but is enjoyable nonetheless.
At the age of four Lord Vickery was stolen by gypsies and sold to a chimney sweep. At the age of five he was reunited with his father. His history is no secret—everyone in the ton knows of his miraculous rescue.
But when Vickery finds his father’s diaries, he discovers that there may be a secret buried in his past…
Georgiana Dalrymple knows all about secrets. She has several herself—and one of those secrets is her ability to find missing people.
When Lord Vickery turns to her for help, Georgiana sets out to discover just who he actually is…
Georgiana can find anything, including the answers to old mysteries if she just asks the right questions. But is uncovering the truth always for the best?
I liked this book a lot. It was nice to see the heroine trying to convince the hero that she would stand by him instead of the other other way around like it is common in a lot of historical romances. There is no meet-cute here. They have known each other all their lives and their relationship is formed out of their friendship. It was a nice end to the series.
Overall, I’d highly recommend this series if you like historical romances. Just skip the third book.
Reading this book contributed to these challenges:
Shelby Preston, a young single mother, is at a crossroads. She feels suffocated by her hardscrabble life in rural Georgia and dreams of becoming a professional chef. Lord knows her family could use a pot of something good.
In Atlanta, Mallory Lakes is reeling from a bad breakup. The newspaper food columnist is also bracing for major changes at work that could put her job at risk. Determined to find the perfect recipe for how to reinvent herself, she gets involved in the growing farm-to-table movement. But an emotional setback threatens to derail everything she’s worked for. Shelby and Mallory couldn’t be more different. But through their shared passion for food, they form an unlikely friendship—a bond that just might be their salvation.
This book has been sitting on my ereader for a long time. Now I’m upset that I didn’t read it sooner.
Shelby is a young single mother who follows food blogger Mallory and loves to make her recipes. She wants to be a chef but that would require her to leave her daughter with her mother in southern Georgia and move to Atlanta to work and go to school.
The newspaper Mallory writes for has just moved totally online and she has thrown herself into creating a new, indispensable, digital persona.
Shelby and Mallory cross paths at the grocery where Shelby gets a job. Their lives start to intersect more and more until the day when they are bound together by an accident.
The writing in this book was very beautifully done and pulled me in immediately. I loved the contrast between the poor, rural Shelby who dreams of a better life and urban Mallory. One of the themes in the book that haven’t seen written about much in foodie fiction was the accessibility of foodie culture. Shelby decides which of the meals that she will make based on what is available and affordable at her local grocery store. She talks about how she understands that Mallory feels that all the produce needs to be organic but that isn’t possible for her. When Shelby tries to get a job in a deli at the grocery store, she wears her best clothes for the interview but realizes that they are shabby compared to the affluent people she sees there. The grocery store in question just rebranded as an upscale store, losing some neighborhood clients in the process.
Overall, I wasn’t as invested in the story by the end as I was in the beginning. I wasn’t a fan of the romance angle for Mallory or of the accident plot that seemed like it wasn’t necessary. However, I think that the well done characterizations of Shelby and the secondary characters is still enough to recommend this book.
There are recipes in the back of this book like there are in a lot of books that feature food. But guys, I actually made one of the recipes. I know, shocking, right. I think that reading all the people who link up at the Foodies Read pages is getting to me.
There was a recipe for Pimento Cheese. I eat 99% vegan at home but back in time I really did love some pimento cheese. I decided to try to veganize it. I used vegan mayo and Daiya cheddar shreds. I love Just Mayo’s vegan mayo but I actually hate Daiya fake cheese. I think they taste like wax. There wasn’t another cheddar selection in the store though so I gave it a try.
It was amazing! Totally had the right taste and texture. I can’t take attractive food pictures to save my life and I contend that there is nothing that can make pimento cheese photogenic anyway, but here it is.
Reading this book contributed to these challenges: